Modernism, Male Friendship, and the First World WarCole examines the rich literary and cultural history of masculine intimacy in the twentieth century. She shows that the terrain of masculine fellowship provides an important context for understanding key literary features of the modernist period. She foregrounds such crucial themes as the broken friendships that permeate Forster's fictions, Lawrence's desperate urge to make culture out of blood brotherhood and the intense bereavement of the war poet. Cole argues that these dramas of compelling and often tortured male friendship have helped to define a particular voice within the literary canon. |
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Aaron's Rod alienation authority become body bonds British Cambridge central century characterized civilian close combat comes complete comradeship connection Conrad constructed continued conventional create critics cultural death describes desire discussion England English experience fellowship figure final force Forster gender Greek Heart homosexual human idea ideal imagined imperial important individual instance institutions interest involves kind language Lawrence Lawrence's literary literature live London loss lost male friendship male intimacy marked masculine memory narrative nature never notion novel offers organization particular perhaps period physical poem political position post-war presented problem provides relations relationship remains represents returned rhetoric romance schools seems sense sexual shared social soldiers spirit story structure suggests Symonds takes tradition University Press values Victorian voice war's women writing York