 | R. J. Rummel - Business & Economics - 320 pages
...that tie the hidden soul of harmony. (John Milton. L'Allegro) CHAPTER 8 THE COMMUNICATION PRINCIPLE There's language in her eye, her cheek, her lip, Nay,...spirits look out, At every joint and motive of her body. (Shakespeare. Troilus and Cressida. IV. v.) You are an individual among other individuals. Each a subjective... | |
 | Robert P. Merrix, Nicholas Ranson - Drama - 1992 - 320 pages
...becoming, to Ulysses, the harlot, the "grotesque body" which speaks its own language: Ulyss. Fie, fie upon her! There's language in her eye, her cheek,...out At every joint and motive of her body. O, these encounterers, so glib of tongue, 47For information concerning the traditional forms of the shaming... | |
 | David D. Acker - 1994 - 142 pages
...think long." message may get lost if you become too involved in "staging" the presentation. There's a language in her eye, her cheek, her lip, Nay, her...spirits look out At every joint and motive of her body. —William Shakespeare VI NON-VERBAL COMMUNICATION SKILLS When Demosthenes was asked what was the first... | |
 | Laura Christian Ford - Education - 1994 - 308 pages
...Ulysses tells Nestor what he thinks of her in terms that almost say she asked for it: ULYSSES: Fie, fie upon her! There's language in her eye, her cheek,...out At every joint and motive of her body. O, these encounterers, so glib of tongue, That give accosting welcome ere it comes, And wide unclasp the tables... | |
 | Mary Beth Rose - Drama - 1995 - 208 pages
...contempt for Cressida by refusing her the kiss she has not asked for, interprets her behavior: Fie, fie upon her! There's language in her eye, her cheek,...out At every joint and motive of her body. O, these encounterers, so glib of tongue, That give a coasting welcome ere it comes, And wide unclasp the tables... | |
 | John Russell - Drama - 1995 - 260 pages
...current ones. Indeed, her flirtatiousness is so pronounced that Ulysses is prompted to exclaim, Fie, fie upon her! There's language in her eye, her cheek,...out At every joint and motive of her body. O, these encounterers, so glib of tongue, That give a coasting welcome ere it comes, And wide unclasp the tables... | |
 | Cathy Lynn Preston - Literary Criticism - 1995 - 294 pages
...and a good deal more. Writing Women: The Romance Writers of America 1992 Spring Conference Fie, fie upon her! There's language in her eye, her cheek,...spirits look out At every joint and motive of her body. — William Shakespeare (Trotlus and Cressida) The good ended happily and the bad unhappily. That is... | |
 | Lisa Jardine - Historicism - 1996 - 228 pages
...joke as die one made at Cressida's expense in Troilus and Cresstda (4.5.54-63): ''Ulysses. Fie, fie upon her! / There's language in her eye, her cheek,...At every joint and motive of her body. / O, these encounterers, so glib of tongue, / That give accosting welcome ere it comes, / And wide unclasp the... | |
 | J. L. Styan - Drama - 1996 - 452 pages
...leaves the stage under the jaundiced eye of Ulysses: NESTOR. A woman of quick sense. ULYSSES. Fie, fie upon her! There's language in her eye, her cheek,...spirits look out At every joint and motive of her body. (4-5-54-7) It is for the audience to look at Cressida's protracted departure upstage and decide whether... | |
 | Hugh Grady - Drama - 1996 - 270 pages
...as Ulysses interprets it at the end, as proof of Cressida's infidelity and worthlessness: Fie, fie upon her! There's language in her eye, her cheek,...spirits look out At every joint and motive of her body. (iv. v. 54-7) But in Ulysses ' metaphor, the wanton spirits that look out from Cressida's body are... | |
| |
I'll bring you to your father. [Diomed leads out Cressida. Nest. A woman of quick sense. Ulyss. Fye, fye upon her ! There's language in her eye, her cheek, her lip, Nay, her foot speaks ; her wanton spirits look out At every joint and motive* of her body. 
