The Ruling Passion: British Colonial Allegory and the Paradox of Homosexual DesireIn The Ruling Passion, Christopher Lane examines the relationship between masculinity, homosexual desire, and empire in British colonialist and imperialist fictions at the turn of the twentieth century. Questioning the popular assumption that Britain’s empire functioned with symbolic efficiency on sublimated desire, this book presents a counterhistory of the empire’s many layers of conflict and ambivalence. Through attentive readings of sexual and political allegory in the work of Kipling, Forster, James, Beerbohm, Firbank, and others—and deft use of psychoanalytic theory—The Ruling Passion interprets turbulent scenes of masculine identification and pleasure, power and mastery, intimacy and antagonism. By foregrounding the shattering effects of male homosexuality and interracial desire, and by insisting on the centrality of unconscious fantasy and the death drive, The Ruling Passion examines the startling recurrence of colonial failure in narratives of symbolic doubt and ontological crisis. Lane argues compellingly that Britain can progress culturally and politically only when it has relinquished its residual fantasies of global mastery. |
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Contents
Kiplings Legislators and the Anxiety | 14 |
Mason Haggard and the Colonial Frame | 45 |
The Homosexual Art of Painting | 72 |
Masculine Identification and Homosexual | 99 |
The Racial Imaginary of Forsters | 145 |
Firbanks Anglophobia and the Sexual Nomad | 176 |
Sassoons Memoirs and Other Opaque | 193 |
Savage Propensities or The Jungleboy in | 212 |
Britains Disavowal and the Mourning of Empire | 229 |
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Common terms and phrases
anxiety appears argued authority Britain's British Carey chapter character claim colonel colonial concern consider critics cultural death demand demonstrates describes desire difference difficulty displacement Dorian drives elaborates emphasis Empire English expression fails fantasy father fiction figure finally Firbank Forster's Freud friendship give Haggard heterosexuality Heyst homosexuality Human idea ideal identification identity imperial impossible impulse India influence instance interest internal interpret intimacy Kipling Kipling's Lacan later less literary Literature London look male man's masculine Maugham meaning military Morrison narrative narrator nature never novel object painting passion personality pleasure political possible problem projection psychic question race racial reader reading references relation remarks represents resistance response Sassoon scene Schomberg seems sexual significance similar social story suggest surface symbolic tion trans truth turn Victory violence Wilde woman women writing York