| Clement Greenberg - Architecture - 1986 - 339 pages
Clement Greenberg is widely recognized as the most influential and articulate champion of modernism during its American ascendency after World War II, the period largely ... | |
| Allen Leepa - Art - 2013 - 312 pages
The science of aesthetics was originally based on classical art even a contemporary philosopher of art like Croce never departs from the data of the Graeco-Roman and ... | |
| Alwynne Mackie - Art - 1989 - 338 pages
This book explores the puzzling phenomenon of new veiling practices among lower middle class women in Cairo, Egypt. Although these women are part of a modernizing middle class ... | |
| Evelyn Toynton - Biography & Autobiography - 2012 - 170 pages
Jackson Pollock (1912-1956) not only put American art on the map with his famous "drip paintings," he also served as an inspiration for the character of Stanley Kowalski in ... | |
| Frank O’Hara - Biography & Autobiography - 2015 - 118 pages
This slim, but richly illustrated, biography of Jackson Pollock has stood the test of time since its first publication in 1959. Still a sound, but laudatory, study of all of ... | |
| Clement Greenberg - Art - 1971 - 292 pages
"Clement Greenberg is, internationally, the best-known American art critic popularly considered to be the man who put American vanguard painting and sculpture on the world map ... | |
| James E. B. Breslin - Art - 1993 - 778 pages
This first full-length biography of one of the greatest artists of the 20th century draws on exclusive access to Mark Rothko's personal papers and hundreds of interviews with ... | |
| Robert L. Herbert - Art - 2012 - 192 pages
16 of the 20th century's leading artistic innovators talk forcefully about their work: Albert Gleizes, Jean Metzinger, Henry Moore, Kurt Schwitters, Max Ernst, El Lissitzky ... | |
| Francis Frascina - Art - 2018 - 340 pages
Modern Art and Modernism offers firsthand material for the study of issues central to the development of modern art, its theory, and criticism. The history of modern art is not ... | |
| Harold Rosenberg - Art - 1983 - 318 pages
Discusses the aesthetic orientations and creative directions of prominent contemporary artists as well as the nature and implications of the various modern movements. | |
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