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That night the girl woke up, for the first time in her new experience, with the sensation of having been abandoned to her own devices.

She woke up from a painful dream of separation brought about in a way which she could not understand, and missed the relief of the waking instant. The desolate feeling of being alone persisted. She was really alone. A night-light made it plain enough in the dim, mysterious manner of a dream; but this was reality. It startled her exceedingly.

In a moment she was at the curtain that hung in the doorway, and raised it with a steady hand. The conditions of their life in Samburan would have made peeping absurd; nor was such a thing in her character. This was not a movement of curiosity, but of downright alarm—the continued distress and fear of the dream. The night could not have been very far advanced. The light in the lantern was burning strongly, striping the floor and walls of the

room with thick black bands. She hardly knew whether she expected to see Heyst or not; but she saw him at once, standing by the table in his sleeping-suit, his back to the doorway. She stepped in noiselessly with her bare feet, and let the curtain fall behind her. Something characteristic in Heyst's attitude made her say, almost in a whisper.'

"You are looking for something."

He could not have heard her before; but he didn't start at the unexpected whisper. He only pushed the drawer of the table in and, without even looking over his shoulder, asked quietly, accepting her presence as if he had been aware of all her movements:

“I say, are you certain that Wang didn't go through this room this evening?"

“Wang ? When ?"
“After leaving the lantern, I mean."
"Oh, no. He ran on.

I watched him.” “Or before, perhaps—while I was with these boat people ? Do you know ? Can you tell ?"

"I hardly think so. I came out as the sun went down, and sat outside till you came back to me."

"He could have popped in for an instant through the back veranda."

"I heard nothing in here," she said. "What is the matter ?"

“Naturally you wouldn't hear. He can be as

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quiet as a shadow, when he likes. I believe he could steal the pillows from under our heads. He might have been here ten minutes ago.”

“What woke you up ? Was it a noise ?"

"Can't say that. Generally one can't tell; but is it likely, Lena ? You are, I believe, the lighter sleeper of us two. A noise loud enough to wake me up would have awakened you, too. I tried to be as quiet as I could. What roused you ?"

“I don't know-a dream, perhaps. I woke up crying."

“What was the dream."

Heyst, with one hand resting on the table, had turned in her direction, his round, uncovered head set on a fighter's muscular neck. She left his question unanswered, as if she had not heard it.

“What is it you have missed ?" she asked in her turn, very grave.

Her dark hair, drawn smoothly back, was done in two thick tresses for the night. Heyst noticed the good form of her brow, the dignity of its width, its unshining whiteness. It was a sculptural forehead. He had a moment of acute appreciation intruding upon another order of thoughts. It was as if there could be no end of his discoveries about that girl, at the most incongruous moments.

She had on nothing but a hand-woven cotton sarong—one of Heyst's few purchases, years ago, in Celebes, where they are made. He had forgotten all about it till she came, and then had found it at the bottom of an old sandalwood trunk dating back to pre-Morrison days. She had quickly learned to wind it up under her armpits with a safe twist, as Malay village girls do when going down to bathe in a river. Her shoulders and arms were bare; one of her tresses, hanging forward, looked almost black against the white skin. As she was taller than the average Malay woman, the sarong ended a good way above her ankles. She stood poised firmly, half-way between the table and the curtained doorway, the insteps of her bare feet gleaming like marble on the overshadowed matting of the floor. The fall of her lighted shoulders, the strong and fine modelling of her arms hanging down her sides, her immobility, too, had something statuesque, the charm of art tense with life. She was not very big-Heyst used to think of her, at first, as "that poor little girl"_but revealed free from the shabby banality of a white platform dress, in the simple drapery of the sarong, there was that in her form and in the proportions of her body which suggested a reduction from a heroic size.

She moved forward a step.
"What is it you have missed ?" she asked again,

Heyst turned his back altogether on the table. The black spokes of darkness over the floor and the walls, joining up on the ceiling in a patch of shadow, were like the bars of a cage about them. It was his turn to ignore a question.

“You woke up in a fright, you say ?” he said.

She walked up to him, exotic yet familiar, with her white woman's face and shoulders above the Malay sarong, as if it were an airy disguise; but her expression was serious.

“No!" she replied. “It was distress, rather. You see, you weren't there, and I couldn't tell why you had gone away from me. A nasty dream—the first I've had, too, since—"

"You don't believe in dreams, do you ?” asked Heyst.

“I once knew a woman who did. Leastwise, she used to tell people what dreams meant, for a shilling."

"Would you go now and ask her what this dream means ?" inquired Heyst jocularly.

"No, indeed! She was a nasty old thing!"
Heyst laughed a little uneasily.

"Dreams are madness, my dear. It's things that happen in the waking world, while one is asleep, that one would be glad to know the meaning of."

"You have missed something out of this drawer," she said positively.

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