Explorations in the Arts: An Introduction to the Humanities |
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Page 258
... movements . These are often virtually complete pieces in themselves , coming to a clear final cadence . In performance , each movement usually is separated from the next by a substantial pause . The division into movements separated by ...
... movements . These are often virtually complete pieces in themselves , coming to a clear final cadence . In performance , each movement usually is separated from the next by a substantial pause . The division into movements separated by ...
Page 259
... movement sonata form , neither of these terms accurately describes it , for its tempo need not be allegro and it is used not only in the first movement . Its essential principle is a carefully organized dramatic contrast of themes and ...
... movement sonata form , neither of these terms accurately describes it , for its tempo need not be allegro and it is used not only in the first movement . Its essential principle is a carefully organized dramatic contrast of themes and ...
Page 306
... movement , the recapitulation . Both the modulations into distant keys and the dramatic preparation for the return to the tonic are typical of the development section in the classical sonata - form . Amid all this harmonic wizardry , a ...
... movement , the recapitulation . Both the modulations into distant keys and the dramatic preparation for the return to the tonic are typical of the development section in the classical sonata - form . Amid all this harmonic wizardry , a ...
Contents
What Is Art? Acrylic | 3 |
Line | 25 |
The Functions of the Arts Engraving | 28 |
Copyright | |
34 other sections not shown
Common terms and phrases
Abraham and Isaac actors ancient Greece Ansley Aphrodite architecture art forms artists audience ballet basic beauty called camera Chapter characters chord Christ Circe classical color comedy complex composers contrast created cult image Cupid dance dancers device director distinctive dramatic elements emphasizes epic Eurylochus example express eyes figures film first-person genres George Balanchine goddess Greek halo hero history painting human images instance interpretation lines lyric Mass melody Mikhail Baryshnikov modern movement narrative narrator neoclassicism Nikki Giovanni novel Odysseus Oil on canvas opera orchestra painting pattern performance personality perspective photograph piano Plate play plot poem poet poetry point of view portrait present Renaissance reveals rhyme rhythm Roman Fever Rome San ctus Sarah Bernhardt scene sculpture shape Slade song sound space speaker stage story stream of consciousness suggest symbol symphony technique theater theme thou tion tradition usually Venus Venus de Milo visual voice words