Fault Lines: Contemporary African Art and Shifting LandscapesGilane Tawadros, Sarah Campbell Institute of International Visual Arts in collaboration with the Forum for African Arts and the Prince Claus Fund, 2003 - Art - 272 pages |
Contents
Okwui Enwezor | 13 |
Bheki Peterson | 18 |
The Revolution Stripped Bare | 23 |
Copyright | |
8 other sections not shown
Common terms and phrases
abstraction aesthetic African artist Algeria Ali's apartheid Arab architecture Attia become Benyahia Bhimji Biennale body Bowling's Cairo centre Chinzima colonial colour complex contemporary art context continent create critical culture decolonisation diaspora différance difference discourse displacement domination effects Egypt Egyptian emerged Ethiopian Ethiopian Orthodoxy ethnic evokes exhibition experience Fanon Fathy's Fault Lines film forces Gallery Gamal Abdel-Nasser global globalisation Gourna Gwintsa Hassan Fathy homeland houses human idea identity images independence ink paintings installation institutions Johannesburg Kateb Yacine Langa language lives London map paintings Mekuria Mixed media modern art modernist Moshekwa Langa movement multicultural museum Naim Naim's narrative natal natalising Paris political polygon postcolonial production regime relationship representation Rotimi Fani-Kayode sculpture sense Shawky slang social society South Africa Soweto space specific struggle Tate Modern tradition Unitary Urbanism University Untitled Venice Biennale viewer violence visual Western Zarina Bhimji Zulu