The Seven Basic Plots: Why We Tell StoriesThis remarkable and monumental book at last provides a comprehensive answer to the age-old riddle of whether there are only a small number of 'basic stories' in the world. Using a wealth of examples, from ancient myths and folk tales via the plays and novels of great literature to the popular movies and TV soap operas of today, it shows that there are seven archetypal themes which recur throughout every kind of storytelling. But this is only the prelude to an investigation into how and why we are 'programmed' to imagine stories in these ways, and how they relate to the inmost patterns of human psychology. Drawing on a vast array of examples, from Proust to detective stories, from the Marquis de Sade to E.T., Christopher Booker then leads us through the extraordinary changes in the nature of storytelling over the past 200 years, and why so many stories have 'lost the plot' by losing touch with their underlying archetypal purpose. Booker analyses why evolution has given us the need to tell stories and illustrates how storytelling has provided a uniquely revealing mirror to mankind's psychological development over the past 5000 years. This seminal book opens up in an entirely new way our understanding of the real purpose storytelling plays in our lives, and will be a talking point for years to come. |
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Page 34
... ordeal . We see the seemingly insuperable power of the German war machine . There is then a gathering sense of danger , as battle is joined , and the 1. In fact , as we shall see much later in the book , this type of story was superbly ...
... ordeal . We see the seemingly insuperable power of the German war machine . There is then a gathering sense of danger , as battle is joined , and the 1. In fact , as we shall see much later in the book , this type of story was superbly ...
Page 35
... ordeal, penned in at every moment by the prospect of sudden death, liberation is here! Life has triumphed over death! Humanity can breathe again! The Hollywood Western So basic is the outline of the Overcoming the Monster plot that ...
... ordeal, penned in at every moment by the prospect of sudden death, liberation is here! Life has triumphed over death! Humanity can breathe again! The Hollywood Western So basic is the outline of the Overcoming the Monster plot that ...
Page 38
... ordeal , Bond may visit the armourer , ' Q , to be equipped with special weapons , such as a new gun , a sports car fitted with a smokescreen device or a rocket pack which will enable him to fly . These are exact modern equivalents to ...
... ordeal , Bond may visit the armourer , ' Q , to be equipped with special weapons , such as a new gun , a sports car fitted with a smokescreen device or a rocket pack which will enable him to fly . These are exact modern equivalents to ...
Page 39
... ordeal ( Nightmare Stage ) : Bond is now forced by the monster to face the ' terrible ordeal , which seems fiendishly designed to lead to his painful , long- drawn out death : e.g. having to endure a deadly obstacle race , crawling ...
... ordeal ( Nightmare Stage ) : Bond is now forced by the monster to face the ' terrible ordeal , which seems fiendishly designed to lead to his painful , long- drawn out death : e.g. having to endure a deadly obstacle race , crawling ...
Page 41
... ordeal ' , Quatermass confronts the monster and somewhat implausibly persuades the three human beings who are still mysteriously part of it to resist its influence , even though this will involve their own suicide . This leads to the ...
... ordeal ' , Quatermass confronts the monster and somewhat implausibly persuades the three human beings who are still mysteriously part of it to resist its influence , even though this will involve their own suicide . This leads to the ...
Contents
1 | |
15 | |
THE COMPLETE HAPPY ENDING | 237 |
MISSING THE MARK | 345 |
WHY WE TELL STORIES | 541 |
The Light and the Shadows on the Wall | 699 |
Authors Personal Note | 703 |
Glossary of Terms | 707 |
Bibliography | 711 |
Index of Stories Cited | 715 |
General Index | 720 |
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Common terms and phrases
Aladdin Amleth anima Anna Karenina archetypal arrives beautiful become begins central figure centre century characters Comedy comes complete consciousness Creon Dark Father dark feminine dark figure dark masculine dark power Dark Rival death developed Don Giovanni Dream Stage egocentric egotism emerge eventually everything familiar fantasy film finally girl goal Hamlet happens happy ending heart hero and heroine hero or heroine human imagination inner James Bond Jane Eyre journey killed king kingdom liberated light lives look Macbeth married Moby Dick mother murder mysterious nature Nightmare Stage novel obsession Odysseus Oedipus ordeals Overcoming the Monster pattern play plot Princess Quest Rags to Riches realise recognise represents role seems seen sense shadow storytelling symbolic symbolised Teiresias tells Theseus thing Tragedy transformation true turn type of story ultimately uncon unconscious values Voyage and Return whole wife Wise Old woman young