The Seven Basic Plots: Why We Tell StoriesThis remarkable and monumental book at last provides a comprehensive answer to the age-old riddle of whether there are only a small number of 'basic stories' in the world. Using a wealth of examples, from ancient myths and folk tales via the plays and novels of great literature to the popular movies and TV soap operas of today, it shows that there are seven archetypal themes which recur throughout every kind of storytelling. But this is only the prelude to an investigation into how and why we are 'programmed' to imagine stories in these ways, and how they relate to the inmost patterns of human psychology. Drawing on a vast array of examples, from Proust to detective stories, from the Marquis de Sade to E.T., Christopher Booker then leads us through the extraordinary changes in the nature of storytelling over the past 200 years, and why so many stories have 'lost the plot' by losing touch with their underlying archetypal purpose. Booker analyses why evolution has given us the need to tell stories and illustrates how storytelling has provided a uniquely revealing mirror to mankind's psychological development over the past 5000 years. This seminal book opens up in an entirely new way our understanding of the real purpose storytelling plays in our lives, and will be a talking point for years to come. |
From inside the book
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Page 4
... nightmare . Finally , seemingly inex- orably , the story works up to a climax of violent self - destruction . The dream ends in death . So consistent was the pattern underlying each of these stories that it was possible to track it in a ...
... nightmare . Finally , seemingly inex- orably , the story works up to a climax of violent self - destruction . The dream ends in death . So consistent was the pattern underlying each of these stories that it was possible to track it in a ...
Page 35
... nightmare monsters from another and ancient world, the evil, the sinister silhouettes of the two great guns of Navarone.' Evading detection as they catch the sentries on their 'blind spot', the heroes fix their little explosive charges ...
... nightmare monsters from another and ancient world, the evil, the sinister silhouettes of the two great guns of Navarone.' Evading detection as they catch the sentries on their 'blind spot', the heroes fix their little explosive charges ...
Page 39
... ( Nightmare Stage ) : Bond is now forced by the monster to face the ' terrible ordeal , which seems fiendishly designed to lead to his painful , long- drawn out death : e.g. having to endure a deadly obstacle race , crawling through a ...
... ( Nightmare Stage ) : Bond is now forced by the monster to face the ' terrible ordeal , which seems fiendishly designed to lead to his painful , long- drawn out death : e.g. having to endure a deadly obstacle race , crawling through a ...
Page 40
... stretch out into streets and houses to capture them. It seems mankind is powerless to deal with this threat. The attacks continue to worsen. 4. Nightmare Stage : The world's ice caps begin to 40 THE SEVEN BASIC PLOTS.
... stretch out into streets and houses to capture them. It seems mankind is powerless to deal with this threat. The attacks continue to worsen. 4. Nightmare Stage : The world's ice caps begin to 40 THE SEVEN BASIC PLOTS.
Page 41
... nightmare when Quatermass manages to visit the plant with a delegation . One member separates from the group to look into a vast pressure dome . He comes out dying of ammonia - poisoning , uttering the one word ' slime ' . Quatermass ...
... nightmare when Quatermass manages to visit the plant with a delegation . One member separates from the group to look into a vast pressure dome . He comes out dying of ammonia - poisoning , uttering the one word ' slime ' . Quatermass ...
Contents
1 | |
15 | |
THE COMPLETE HAPPY ENDING | 237 |
MISSING THE MARK | 345 |
WHY WE TELL STORIES | 541 |
The Light and the Shadows on the Wall | 699 |
Authors Personal Note | 703 |
Glossary of Terms | 707 |
Bibliography | 711 |
Index of Stories Cited | 715 |
General Index | 720 |
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Common terms and phrases
Aladdin Amleth anima Anna Karenina archetypal arrives beautiful become begins central figure centre century characters Comedy comes complete consciousness Creon Dark Father dark feminine dark figure dark masculine dark power Dark Rival death developed Don Giovanni Dream Stage egocentric egotism emerge eventually everything familiar fantasy film finally girl goal Hamlet happens happy ending heart hero and heroine hero or heroine human imagination inner James Bond Jane Eyre journey killed king kingdom liberated light lives look Macbeth married Moby Dick mother murder mysterious nature Nightmare Stage novel obsession Odysseus Oedipus ordeals Overcoming the Monster pattern play plot Princess Quest Rags to Riches realise recognise represents role seems seen sense shadow storytelling symbolic symbolised Teiresias tells Theseus thing Tragedy transformation true turn type of story ultimately uncon unconscious values Voyage and Return whole wife Wise Old woman young