The Seven Basic Plots: Why We Tell StoriesThis remarkable and monumental book at last provides a comprehensive answer to the age-old riddle of whether there are only a small number of 'basic stories' in the world. Using a wealth of examples, from ancient myths and folk tales via the plays and novels of great literature to the popular movies and TV soap operas of today, it shows that there are seven archetypal themes which recur throughout every kind of storytelling. But this is only the prelude to an investigation into how and why we are 'programmed' to imagine stories in these ways, and how they relate to the inmost patterns of human psychology. Drawing on a vast array of examples, from Proust to detective stories, from the Marquis de Sade to E.T., Christopher Booker then leads us through the extraordinary changes in the nature of storytelling over the past 200 years, and why so many stories have 'lost the plot' by losing touch with their underlying archetypal purpose. Booker analyses why evolution has given us the need to tell stories and illustrates how storytelling has provided a uniquely revealing mirror to mankind's psychological development over the past 5000 years. This seminal book opens up in an entirely new way our understanding of the real purpose storytelling plays in our lives, and will be a talking point for years to come. |
From inside the book
Results 1-5 of 66
Page 2
... film and the eighth-century epic are so striking that they may almost be regarded as telling the same story.Are we ... films or on a stage. They are far and away one of the most important features of our everyday existence. Not only do ...
... film and the eighth-century epic are so striking that they may almost be regarded as telling the same story.Are we ... films or on a stage. They are far and away one of the most important features of our everyday existence. Not only do ...
Page 4
... film , Truffaut's Jules et Jim ; the Greek myth of Icarus ; and the German legend of Faust . On the face of it ... films such as Bonnie and Clyde , describing the two young lovers who light- heartedly embark on a career as bank robbers ...
... film , Truffaut's Jules et Jim ; the Greek myth of Icarus ; and the German legend of Faust . On the face of it ... films such as Bonnie and Clyde , describing the two young lovers who light- heartedly embark on a career as bank robbers ...
Page 21
... a fashionable crowd converged on Leicester Square in London for the premiere of a new film.Dr No was the first of what was to become, over the next 40 years , the most popular series 21 Chapter 1 Overcoming the Monster.
... a fashionable crowd converged on Leicester Square in London for the premiere of a new film.Dr No was the first of what was to become, over the next 40 years , the most popular series 21 Chapter 1 Overcoming the Monster.
Page 28
... , for instance, has there been any more vivid image of the 'Princess' struggling in the clutches of the monster than the famous shot in the film King Kong showing the pretty young heroine being 28 THE SEVEN BASIC PLOTS.
... , for instance, has there been any more vivid image of the 'Princess' struggling in the clutches of the monster than the famous shot in the film King Kong showing the pretty young heroine being 28 THE SEVEN BASIC PLOTS.
Page 29
Why We Tell Stories Christopher Booker. the film King Kong showing the pretty young heroine being waved above the sky- line of New York in the grip of the gigantic ape? What is certain is that it is by no means necessary to believe in ...
Why We Tell Stories Christopher Booker. the film King Kong showing the pretty young heroine being waved above the sky- line of New York in the grip of the gigantic ape? What is certain is that it is by no means necessary to believe in ...
Contents
1 | |
15 | |
THE COMPLETE HAPPY ENDING | 237 |
MISSING THE MARK | 345 |
WHY WE TELL STORIES | 541 |
The Light and the Shadows on the Wall | 699 |
Authors Personal Note | 703 |
Glossary of Terms | 707 |
Bibliography | 711 |
Index of Stories Cited | 715 |
General Index | 720 |
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Common terms and phrases
Aladdin Amleth anima Anna Karenina archetypal arrives beautiful become begins central figure centre century characters Comedy comes complete consciousness Creon Dark Father dark feminine dark figure dark masculine dark power Dark Rival death developed Don Giovanni Dream Stage egocentric egotism emerge eventually everything familiar fantasy film finally girl goal Hamlet happens happy ending heart hero and heroine hero or heroine human imagination inner James Bond Jane Eyre journey killed king kingdom liberated light lives look Macbeth married Moby Dick mother murder mysterious nature Nightmare Stage novel obsession Odysseus Oedipus ordeals Overcoming the Monster pattern play plot Princess Quest Rags to Riches realise recognise represents role seems seen sense shadow storytelling symbolic symbolised Teiresias tells Theseus thing Tragedy transformation true turn type of story ultimately uncon unconscious values Voyage and Return whole wife Wise Old woman young