Strangeness and Beauty: Volume 2, Pater to Symons: An Anthology of Aesthetic Criticism 1840-1910
Eric Warner, Graham Hough
CUP Archive, Apr 7, 1983 - Literary Criticism - 324 pages
This is a two-volume anthology of criticism of art and literature from approximately 1840 to 1910. The central purpose of the anthology is to show how Romantic ideas of art and imagination were transformed by a number of writers in the nineteenth century and became the fundamental premisses of modernist aesthetics. The presiding genius of volume 2 is Pater, who was much influenced by Ruskin's belief in refining and educating the senses as a path to spiritual fulfilment. However, whereas Ruskin saw this education as a means of enriching the moral and religious life conceived in fundamentally orthodox terms, Pater regards religion as a supreme aesthetic experience with no particular connections either with morality or with any bourgeois virtues. Those who came under Pater's influence envinced disdain for the social order and its accepted values; this new tone is evident in the work of George Moore, Whistler and Wilde, all represented in this volume. The final author in this anthology, Arthur Symons, forms one of the principal links between nineteenth- and twentieth-century poetics, for it was his introduction of the French Symbolists to England, which was to give such a powerful impulse to the innovations of Eliot and Pound.
What people are saying - Write a review
We haven't found any reviews in the usual places.
abstract aesthetic appeared artist Baudelaire beauty become beginning believe Blake called century clear colour comes criticism death delight desire dream early effect elements emotion England English essay eternal existence experience expression eyes fact feeling followed force French genius give hand human ideal ideas imaginative important impression influence intellectual interest Italy kind later less light lines literary literature live look matter means mind moral movement moving nature never once painter painting pass passion Pater perfect perhaps philosophy picture poem poet poetic poetry present prose published qualities reality Renaissance romantic Rossetti seems seen sense soul spirit strange style suggestion symbols Symons things thought true truth turn verse vision voice Whistler whole Wilde write Yeats young