 | Samuel Taylor Coleridge - Literature - 1836 - 446 pages
...in all genuine creations of art there must be a union of these disparates. The artist may take his point of view where he pleases, provided that the...disgusting, and the more complete the delusion, the more loathsome the effect. Why are such simulations of nature, as wax-work figures of men and women, so... | |
 | Edward Royall Tyler, William Lathrop Kingsley, George Park Fisher, Timothy Dwight - United States - 1860 - 1174 pages
...all genuine creations of art, there must be a union of these disparates. The artist . may take his point of view where he pleases, provided that the...disgusting; and the more complete the delusion, the more loathsome the effect. Why are such simulations of nature, as waxwork figures of men and women, so disagreeable?... | |
 | Criticism - 1860 - 1172 pages
...in all genuine creations of art, there must be a union of these disparates. The artist may take his point of view where he pleases, provided that the...disgusting; and the more complete the delusion, the more loathsome the effect. Why arc such simulations of nature, as waxwork figures of men and women, so disagreeable?... | |
 | Samuel Taylor Coleridge - 1853 - 556 pages
...in all genuine creations of art there must be a union of these disparates. The artist may take his point of view where he pleases, provided that the...disgusting, and the more complete the delusion, the more loathsome the effect. (179') Why are' such simulations of nature, as wax- work figures of men and women,... | |
 | Samuel Taylor Coleridge - 1853 - 512 pages
...in all genuine creations of art there must be a union of these disparates. The artist may take his point of view where he pleases, provided that the desired effect be perceptibly produced.—that there be likeness in the difference, difference in the likeness, and a reconcilement... | |
 | Samuel Taylor Coleridge - 1854 - 504 pages
...in all genuine creations of art there must be a union of these disparates. The artist may take his point of view where he pleases, provided that the...disgusting, and the more complete the delusion, the more loathsome the effect, (qq) Why are such simulations of nature, as wax- work figures of men and women,... | |
 | Samuel Taylor Coleridge - 1858 - 508 pages
...in all genuine creations of art there must be a union of these disparates. The artist may take his point of view where he pleases, provided that the...disgusting, and the more complete the delusion, the more loathsome the effect. (qq) Why are such simulations of nature, as wax- work figures of men and women,... | |
 | Samuel Taylor Coleridge - English literature - 1884 - 516 pages
...disparates. The- artist may take his point of view where he pleases, provided that the desired cllcct be perceptibly produced,— that there be likeness...nature without any check of difference, the result is distrusting, and the more complete the delusion, the more loathsome the effect, (//y) Why arc such... | |
 | Samuel Taylor Coleridge - 1880 - 484 pages
...in all genuine creations of art there must be a union of these disparates. The artist may take his point of view where he pleases, provided that the desired effect be perceptibly produced,—that there be likeness in the difference, difference in the likeness, and a reconcilement... | |
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... in all imitation two elements must coexist, and not only coexist, but must be perceived as coexisting. These two constituent elements are likeness and unlikeness, or sameness and difference. And in all genuine creations of art there must be a union... 
