 | William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, Sir John Murray (IV), Rowland Edmund Prothero (Baron Ernle) - English literature - 1837 - 590 pages
...the affections, and errs, if it ever err, in the exaggerations of love alone. In all the Shakspearian women there is essentially the same foundation and...whether in Miranda the maiden, in Imogen the wife, or in Katharine the queen.' — ib. 96. He speaks of the love-scene in the same play thus : — 'In this... | |
 | Thomas Peregrine Courtenay - Historical drama, English - 1840 - 354 pages
...seek the true solution of his difficulty. On the female characters, Coleridge remarks : " In all the Shaksperian women there is essentially the same foundation...Miranda, the maiden ; in Imogen, the wife ; or, in Catherine, the queen."f What is this but to affirm, that the female sex has a character of its own,... | |
 | Sir Edward STRACHEY - 1843 - 188 pages
...the affections, and errs, if it ever err, in the exaggerations of love alone. In all the Shakspearian women there is essentially the same foundation and...merely the result of the modification of circumstances, whethcr in Miranda the maiden, in Imogen the wife, or in Katharine the queen.' Coleridge's Literary... | |
 | William Shakespeare - 1847 - 726 pages
...affections, and errs, if it ever err, in the exaggerations of love alone. In all the Shakespearian Come boy, with me: my thoughts are ripe in mischief: I'll sacrifice Katharine the queen. " But to return. The appearance and characters of the super or ultra-natural servants... | |
 | William Shakespeare - 1847 - 760 pages
...affections, and errs, if it ever err, in the exaggerations of love alone. In all the Shakespearian p lie buried, as they say, if my gossip, report, be...ever knapped ginger, or made her neighbours belisve Katharine the queen. " But to return. The appearance and characters of the super or ultra-natural servants... | |
 | Samuel Taylor Coleridge - English drama - 1849 - 400 pages
...the affections, and errs, if it ever err, in the exaggerations of love alone. In all the Shakspearian women there is essentially the same foundation and...the maiden, in Imogen the wife, or in Katherine the queen. But to return. The appearance and characters of the super or ultra-natural servants are finely... | |
 | Samuel Taylor Coleridge - 1853 - 512 pages
...the light of the affections, and errs, if it ever err, in the exaggerations of love alone. In all the Shaksperian women there is essentially the same foundation...the maiden, in Imogen the wife, or in Katherine the queen. But to return. The appearance and characters of the super or ultra-natural servants are finely... | |
 | Samuel Taylor Coleridge - 1853 - 494 pages
...the light of the affections, and errs, if it ever err, in the exaggerations of love alone. In all the Shaksperian women there is essentially the same foundation...the maiden, in Imogen the wife, or in Katherine the queen. But to return. The appearance and characters of the super or ultra-natural servants are finely... | |
 | Samuel Taylor Coleridge - 1853 - 556 pages
...light of the affections, and errs, ,if it ever err, in the exaggerations of love alone. In all the Shaksperian women there is essentially the same foundation...individuality and variety are merely the result of tfie modification of circumstances, whether in Miranda the maiden, ik Imogen the wife, or in Katherine... | |
 | Samuel Taylor Coleridge - 1858 - 508 pages
...the light of the affections, and errs, if it ever err, in the exaggerations of love alone. In all the Shaksperian women there is essentially the same foundation...the maiden, in Imogen the wife, or in Katherine the queen. But to return. The appearance and characters of the super or ultra-natural servants are finely... | |
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... shown in all of them as following the heart, which gives its results by a nice tact and happy intuition, without the intervention of the discursive faculty, sees all things in and by the light of the affections, and errs, if it ever err, in the exaggerations... 
