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PROLOGUE,

SPOKEN THE FIRST DAY OF THE KING'S HOUSE

ACTING AFTER THE FIRE.

So shipwreck'd passengers escape to land,
So look they, when on the bare beach they stand
Dropping and cold, and their first fear scarce o'er,
Expecting famine on a desert shore.

From that hard climate we must wait for bread, 5
Whence e'en the natives, forc'd by hunger, fled.
Our stage does human chance present to view,
But ne'er before was seen so sadly true:
You are chang'd too, and your pretence to see
Is but a nobler name for charity.

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Your own provisions furnish out our feasts,
While you the founders make yourselves the guests.
Of all mankind beside fate had some care,
But for poor Wit no portion did prepare,
'Tis left a rent-charge to the brave and fair.
You cherish'd it, and now its fall you mourn,
Which blind unmanner'd zealots make their scorn,
Who think that fire a judgment on the stage,
Which spar'd not temples in its furious rage.
But as our new built city rises higher,
So from old theatres may new aspire,
Since fate contrives magnificence by fire.
Our great metropolis does far surpass
Whate'er is now, and equals all that was:

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Our wit as far does foreign wit excel,
And, like a king, should in a palace dwell.
But we with golden hopes are vainly fed,
Talk high, and entertain you in a
shed:

Your presence here, for which we humbly sue,
grace old theatres, and build up new.

Will

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EPILOGUE TO THE SECOND PART OF THE CONQUEST OF GRANADA.

THEY who have best succeeded on the stage,
Have still conform'd their genius to their age.
Thus Jonson did mechanic humour show,
When men were dull, and conversation low.
Then comedy was faultless, but 'twas coarse:
Cobb's tankard was a jest, and Otter's horse.
And, as their comedy, their love was mean;
Except, by chance, in some one labour'd scene,
Which must atone for an ill written play.

They rose, but at their height could seldom stay.
Fame then was cheap, and the first comer sped,
And they have kept it since, by being dead.
But, were they now to write, when critics weigh
Each line, and every word, throughout a play,
None of them, no, not Jonson in his height,
Could pass, without allowing grains for weight.
Think it not envy, that these truths are told:
Our poet's not malicious, though he's bold.

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'Tis not to brand them, that their faults are shown,
But, by their errors, to excuse his own.
If love and honour now are higher rais'd,
"Tis not the poet, but the age is prais'd.
Wit's now arriv'd to a more high degree;
Our native language more refin'd and free.
Our ladies and our men now speak more wit
In conversation, than those poets writ.
Then, one of these is, consequently, true;
That what this poet writes comes short of
And imitates you ill (which most he fears),
Or else his writing is not worse than theirs.
Yet though you judge (as sure the critics will),
That some before him writ with greater skill,
In this one praise he has their fame surpast,
To please an age more gallant than the last.

you,

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PROLOGUE TO AMBOYNA.

As needy gallants in the scriveners' hands, Court the rich knave that gripes their mortgag'd lands,

The first fat buck of all the season's sent,

And keeper takes no fee in compliment :

The dotage of some Englishmen is such,
To fawn on those who ruin them - the Dutch.

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They shall have all, rather than make a war

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With those who of the same religion are.

The Straits, the Guinea trade, the herrings too,
Nay, to keep friendship, they shall pickle you. 10
Some are resolv'd not to find out the cheat,
But, cuckold like, love him who does the feat:
What injuries soe'er upon us fall,

Yet, still the same religion answers all:
Religion wheedled you to civil war,

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Drew English blood, and Dutchmen's now would

spare:

Be gull'd no longer, for you'll find it true,

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They have no more religion, faith — than you;
Interest's the god they worship in their state;
And you, I take it, have not much of that.
Well, monarchies may own religion's name,
But states are atheists in their very frame.
They share a sin, and such proportions fall,
That, like a stink, 'tis nothing to them all.
How they love England, you shall see this day;
No map shows Holland truer than our play :
Their pictures and inscriptions well we know ;
We may be bold one medal sure to show.
View then their falsehoods, rapine, cruelty;
And think what once they were, they still would be:
But hope not either language, plot, or art;
'Twas writ in haste, but with an English heart:
And least hope wit; in Dutchmen that would be
As much improper, as would honesty.

EPILOGUE TO AMBOYNA.

A POET once the Spartans led to fight,
And made them conquer in the muse's right;
So would our poet lead you on this day,
Showing your tortur'd fathers in his play.

To one well born the affront is worse, and more, 5
When he's abus'd, and baffled by a boor:
With an ill grace the Dutch their mischiefs do,
They've both ill nature and ill manners too.
Well may they boast themselves an ancient nation,
For they were bred ere manners were in fashion;
And their new commonwealth has set them free
Only from honour and civility.

Venetians do not more uncouthly ride,

Than did their lubber state mankind bestride;
Their sway became them with as ill a mien,
As their own paunches swell above their chin:
Yet is their empire no true growth, but humour,
And only two kings' touch can cure the tumour.
As Cato did his Afric fruits display,

So we before your eyes their Indies lay:
All loyal English will, like him, conclude,
Let Cæsar live, and Carthage be subdued!

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