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THE PASSIONATE PILGRIM.

I.

SWEET Cytherea, sitting by a brook

With young Adonis, lovely, fresh, and green,
Did court the lad with many a lovely look,
Such looks as none could look but beauty's queen.
She told him stories to delight his ear;

She show'd him favours to allure his eye;

To win his heart, she touch'd him here and there;
Touches so soft still conquer chastity.

But, whether unripe years did want conceit,
Or he refused to take her figured proffer,
The tender nibbler would not touch the bait,

But smile and jest at every gentle offer:

Then fell she on her back, fair queen, and toward : He rose and ran away,—ah, fool too froward!

2.

Scarce had the Sun dried up the dewy morn,
And scarce the herd gone to the hedge for shade,
When Cytherea, all in love forlorn,

A longing tarriance for Adonis made
Under an osier growing by a brook,

A brook where Adon used to cool his spleen :
Hot was the day; she hotter that did look
For his approach, that often there had been.

brim

Anon he comes, and throws his mantle by,
And stood stark naked on the brook's green
The Sun look'd on the world with glorious eye,
Yet not so wistly 1 as this queen on him.

1

:

He, spying her, bounced in, whereas he stood:
"O Jove," quoth she, "why was not I a flood!"

3.

Fair was the morn when the fair queen of love,2

*

Paler for sorrow than her milk-white dove,

For Adon's sake, a youngster proud and wild;
Her stand she takes upon a steep-up hill:
Anon Adonis comes with horn and hounds;
She, silly queen, with more than love's good will,
Forbade the boy he should not pass those grounds:
“Once," quoth she, “did I see a fair sweet youth
Here in these brakes deep-wounded with a boar,
Deep in the thigh, a spectacle of ruth!

See, in my thigh,” quoth she, “here was the score."
She showed hers: he saw more wounds than one,
And blushing fled, and left her all alone.

4.

Venus, with young Adonis sitting by her

Under a myrtle shade, began to woo him:

She told the youngling how god Mars did try her,

And as he fell to her, so fell she to him.

"Even thus," quoth she, "the warlike god embraced me,"

1 Wistly is wistfully, that is, intently or earnestly.

2 The line which should follow this, and rhyme with wild, is wanting in both the old copies.

And then she clipp'd Adonis in her arms;

"Even thus," quoth she, "the warlike god unlaced

me,"

As if the boy should use like loving charms;

"Even thus," quoth she, "he seized on my lips,"
And with her lips on his did act the seizure:
But, as she fetchèd breath, away he skips,

And would not take her meaning nor her pleasure.
Ah, that I had my lady at this bay,
To kiss and clip me till I run away!

5.

Fair is my love, but not so fair as fickle;
Mild as a dove, but neither true nor trusty;
Brighter than glass, and yet, as glass is, brittle;
Softer than wax, and yet, as iron, rusty :

A lily pale, with damask dye to grace her,
None fairer, nor none falser to deface her.

Her lips to mine how often hath she join'd,
Between each kiss her oaths of true love swearing!
How many tales to please me hath she coin'd,
Dreading my love, the loss thereof still fearing!
Yet, in the midst of all her pure protestings,
Her faith, her oaths, her tears, and all were jestings.

She burn'd with love, as straw with fire flameth;
She burn'd out love, as soon as straw out-burneth ;
She framed the love, and yet she foil'd the framing;
She bade love last, and yet she fell a-turning.

Was this a lover, or a lecher whether?

Bad in the best, though excellent in neither.

6.

If music and sweet poetry agree,

As they must needs, the sister and the brother,
Then must the love be great 'twixt thee and me,
Because thou lovest the one, and I the other.
Dowland to thee is dear, whose heavenly touch
Upon the lute doth ravish human sense;
Spenser to me, whose deep conceit is such
As, passing all conceit, needs no defence.
Thou lovest to hear the sweet melodious sound
That Phoebus' lute, the queen of music, makes ;
And I in deep delight am chiefly drown'd
Whenas himself to singing he betakes.

One god is god of both, as poets feign;

One knight loves both, and both in thee remain.

7.

Sweet rose, fair flower, untimely pluck'd, soon vaded, Pluck'd in the bud, and vaded in the spring!

Bright orient pearl, alack, too timely shaded !

Fair creature, kill'd too soon by death's sharp sting!
Like a green plum that hangs upon a tree,
And falls, through wind, before the fall should be.

I weep for thee, and yet no cause I have;
For why 3 thou left'st me nothing in thy will:
And yet thou left'st me more than I did crave;
For why I cravèd nothing of thee still:

O yes, dear friend, I pardon crave of thee,-
Thy discontent thou didst bequeath to me.

8 For why is here equivalent to because. See vol. i. page 204, note 8.

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Beauty is but a vain and doubtful good;
A shining gloss that vadeth suddenly;
A flower that dies when first it 'gins to bud;
A brittle glass that's broken presently:

A doubtful good, a gloss, a glass, a flower,
Lost, vaded, broken, dead within an hour.

And as goods lost are seld or never found,
As vaded gloss no rubbing will refresh,

4 Brave is fine, splendid. So used both as adjective and verb.
5 To defy was often used for to renounce or to contemn.

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