The Polish Review, Volume 24Polish Institute of Arts and Sciences in America., 1979 - Poland |
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Page 47
... play Wesele ( The Wedding , 1900 ) , the motif of political impo- tence , of the inability to penetrate the oppressive chain of circumstances and to effectuate any palpable change , recurs in Mrożek's plays . It can be observed most ...
... play Wesele ( The Wedding , 1900 ) , the motif of political impo- tence , of the inability to penetrate the oppressive chain of circumstances and to effectuate any palpable change , recurs in Mrożek's plays . It can be observed most ...
Page 48
... plays transform them- selves into " low rituals of curiosity , " where the curtain , the cues , and the lights become the tenors of the audience's attention . " Mrożek's plays in contradistinction are mostly farces of ideas , where the ...
... plays transform them- selves into " low rituals of curiosity , " where the curtain , the cues , and the lights become the tenors of the audience's attention . " Mrożek's plays in contradistinction are mostly farces of ideas , where the ...
Page 51
... plays . Although Mrożek goes quite far in grotesque distortion of the characters ' reasoning , and though his situa- tions are usually though not always , of course - far from realistic , his — plays contain enough implied references to ...
... plays . Although Mrożek goes quite far in grotesque distortion of the characters ' reasoning , and though his situa- tions are usually though not always , of course - far from realistic , his — plays contain enough implied references to ...
Contents
1979 No | 3 |
JANUSZ KORCZAK SYMPOSIUM | 22 |
All the Faces of Janusz Korczak Edward J Czerwiński | 33 |
Copyright | |
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