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Should a man thro' all worlds to far galaxies travel,
And the mystery of planets remotest unravel,

He would find, tho' he ventur'd to fathom infinity,

That the great work of God is-the Master of Trinity.

To some one who said, "Whewell's forte is science," Sydney Smith replied, "Yes, and his foible is omni-science." The epigram, like this remark, is severe, but very witty. Dr. Whewell, however, could afford to smile at all such sarcasms, for to him the Greek epigram of Onestes might have been addressed (Jacobs III. 3, iii. Translated by Major Macgregor):

Tho' hard the labour to ascend the Heliconian mount,

Yet there one sips the nectar-drops from Pegasus' pure fount;
So Wisdom's road is also steep; but if its utmost height
One reach, Pierian Muses there with favours shall requite.

It is well remarked by Lord Neaves, in reference to this epigram. that "in classical writers the Muses do not represent, as they do with us, the power of poetry or even of literature only, but embrace the whole range of the sciences, including physical science." The epigram is, therefore, singularly appropriate to the famous Master of Trinity.

It is well known that Dr. Whewell and Sir David Brewster were opponents on the subject of the "Plurality of Worlds." Their rival books produced the following epigram in "Punch":

Says Brewster to Whewell, "Let's fight a star duel,
Though you're very cruel to raise such a strife:
What! Nature make worlds for mere lanterns or fuel!
I tell you all planets are swarming with life."
Says Whewell to Brewster," You old cock o' rooster,
Why will you anew stir the question with me?
Excepting our planet, Creation's whole cluster

Is as empty as you and your volume, Sir D."

In connection with epigrams on Masters of Trinity, perhaps Porson's witty epitaph on a Fellow of Trinity may be introduced :

Here lies a Doctor of Divinity;
He was a Fellow too of Trinity;
He knew as much about Divinity,
As other Fellows do of Trinity.

The following amusing translation, by Mr. James Crossley, of some Latin lines on drinking, supposes that at any rate the Master, if not the Fellows, of Trinity are learned in Divinity (“Notes and Queries ' 4th S. V. 9):

When a bottle of excellent wine I've been drinking,
It makes me look wise and talk Latin like winking:
But after three bottles, in arts and divinity

I am then a full match for the Master of Trinity.

JAMES HANNAY.

A cadet of an ancient Galloway family. He was for a few years in the Royal Navy, and after leaving the service dedicated the remainder of his life to literature. The following epigrams are taken from his "Characters and Criticisms: a Book of Miscellanies," 1865.

THE JEALOUS LORD.

Lord Booby hates Disraeli;-Stop a bit;

His principles? What then? He hates his wit!

A French epigram (translated by Bland) shows the state of an envious man, whether his envy proceed from hatred of the wit, or any other good, in another person:

What makes the envious Phorbas walk

Alone, and sad, in the parterre ;

And raise his eyes, and inly talk,

And stamp his foot, and rend his hair?

Say, has he met with some distress?-
Far from it-all his agitation

Only proceeds from the success

Of some acquaintance or relation.

Byron, in "English Bards and Scotch Reviewers," has:
While Canning's colleagues hate him for his wit.

Take

HOW TO WRITE A BIOGRAPHY.

your facts from the last man ;-let no theft appal ye; Then, take thought from Carlyle, and take style from Macaulay;

Throw in plenty of "sympathy,"-rubbing your eyes about

Men whom, if living, you'd snub and tell lies about :
Pass the word to the critics, and fling your pen down,
And your bran-new biography's out on the town.

It may be amusing to give a receipt for a particular biography,that of Dr. Parr. "On the Doctor's (Dr. Parr) disparaging Mason as a feeble poet and without nerve, Green (Thomas Green, born at Monmouth in 1769, who devoted himself to literature, and kept a diary with undeviating exactness, whence this anecdote is extracted), as a proof of the contrary, recited to him the following epigram. The Doctor was greatly agitated at the recital, but allowed that here was energy and power enough" ("Gentleman's Magazine," New Series III. 131):

To half of Busby's skill in mood and tense,
Add Bentley's pedantry without his sense;

From Warburton take all the spleen you find,
But leave the genius and the wit behind;

Squeeze Churchill's rancour from the verse it flows in,
And knead it stiff with Johnson's turgid prosing;

Take all the piety of loose Voltaire,

Mix the gross compound-fiat Dr. Parr !

It need hardly be remarked that there is more energy than accuracy in this receipt for a biography of the celebrated scholar.

Ben Jonson has an epigram on a Plagiary of other men's "facts" and "thoughts" and "style" (Ep. 81):

Forbear to tempt me, Proule, I will not show

A line unto thee, till the world it know;
Or that I've by two good sufficient meu,

To be the wealthy witness of my pen:

For all thou hear'st, thou swear'st thyself did'st do.
Thy wit lives by it, Proule, and stomach too.
Which, if thou leave not soon (though I am loth)

I must a libel make, and cozen both.

It was Dr. Johnson's misfortune that he trusted Mrs. Piozzi in a way Ben Jonson would not trust Proule, and thus enabled her to send a "pran-new biography out on the town," in the shape of the Doctor's private and confidential letters. In the publication of this volume, she was thought to have been actuated more by vanity and interest (Proule's wit and stomach) than a regard to the literary reputation of her friend, whose ghost, offended at the liberty she had taken, is supposed to address her in the following amusing epigrammatic lines ("Gentleman's Magazine," LXXVIII. Part I. 429):

Where Streatham spread its plenteous board,
I open'd Learning's valued hoard,
And, as I feasted, pros'd:

Good things I said, good things I eat,
I gave you knowledge for your meat,
And thought th' account was clos'd.

If obligations still I ow'd,

You sold each item to the crowd;
I suffer'd by the tale:

For God's sake, Madam, let me rest,
Nor longer vex your quondam guest-
I'll pay you for your ale.

DAME IDA PFEIFFER.

Through regions by wild men and cannibals haunted,
Old Dame Ida Pfeiffer goes lone and undaunted;
But, bless you, the risk's not so great as it's reckon'd,.

She's too plain for the first, and too tough for the second.

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The "unprotected female" is becoming a being of the past, for ladies now profess to be able not only to protect themselves, but the men also. The "change time affords " in feminine habits is amusingly shown in an epigram, "On the Ladies of the Close of Salisbury acting Elvira," found in the "Correspondence of the first Earl of Malmesbury," 1870, I. 285:

In good Queen Elizabeth's reign,
In a decent and virtuous age,

That they ne'er might give modesty pain,
No female appeared on the stage.
But lo, what a change time affords!

The la lies, 'mong many strange things,
Call for helmets, for breeches, and swords,
And act Senators, Heroes, and Kings.

The Editor of the "Correspondence" states that these lines appeared in the "Bath Journal" of November 17, 1774.

Malone, in his "Historical Account of the English Stage," informs us that Desdemona was the first character ever performed by a fem le in this country, and that the occasion was probably December 8, 1660, at the theatre in Vere Street, near Clare Market. The prologue, written to introduce a female, was by Thomas Jordan, and contained the following lines (Boswell's edition of Malone's "Shakespeare," 1821, III. 128):

In this reforming age

We have intents to civilize the stage.

Our women are defective, and so siz'd,

You'd think they were some of the guard disguis'd:

For, to speak truth, men uct, that are between

Forty and fifty, wenches of fifteen;

With bone so large, and nerve so incompliant,
When you call Desdemona, enter Giant.

BLOGG ON THE CLASSICS.

"I'll put down Latin," Blogg says, "for I hate it :" Blogg can't destroy, more than he can translate it.

"When Latin's settled, I will put down Greek, too.' Does he know Homer?-Yes, but not to speak to.

Martial has an epigram on a conceited but ignorant man (Book V. 51). The translation is anonymous:

He whose left arm loaden with books you see,
And throng'd with busy clerks to that degree,
Whose face composed attentively does hear
Causes and suits pour'd in at either ear,
Most like a Cato, Tully, or a Brute,
If put upon the rack could not salute
In Latin, Are, or xaîpe in the Greek:

And, if thou doubt the truth, let's to him speak.

In another epigram, entitled, "Blogg on Family," Mr. Hannay says:

Llogg sneers at ancient birth ;-yes, Blogg, we see,
Your ears are longer than your pedigree.

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He was, probably, therefore, not an "essenced fop," as gentlemen of that kind usually affect good birth, though they have it not. Still the following epigram applies partly, at any rate, to him, und entirely to many who know Homer, but not to speak to." It appeared in the "Morning Chronicle," at the time that Toby, the Sapient Pig, was exhibited in London (" The Book of Table Talk,” 1836, II. 88); I passed through London's gorgeous shops And London's daily fogs,

And wondered at her essenced fops,

And educated hogs.

Methinks, if these would change, 'twere well,

And might improve the nation,

Did pigs aspire to savoury smell,

Aud men to education.

THEOLOGICUS INDOCTUS “LIBERALEM” SE JACTANS

Quoth Principal Jubbles, that "Liberal" card,
Let us widen our doctrine, old Calvin was hard.
Ah, ha! cries a student, that's just why you hate him,
You find him too hard when you've got to translate him.
An epigram "On three Preachers of S. Mary's, in Cambridge. attack-
ing Calvin," refers to men very unlike Principal Jubbles (Professor
Pryme's "Autobiographic Recollections," 1870, 155):

Butler in clearness and in force surpass'd:

Maltby with sweetness spoke of ages past:

Whilst Marsh himself, who scarce could farther go,
With criticism's fetters bound the foe.

As the following epigram refers to Scotland, and the statement on which it is founded may refer, perhaps, to the teaching of such men as Principal Jubbles, it may be inserted here. It was written at Cambridge, and is said to be founded on an assertion made by Mr. Froude at Edinburgh, that clerical writers are not truthful, and on another by Canon Kingsley, that no truth is to be found in historians (“Notes and Queries," 5th S. II. 100):

Froude informs the Scottish youth
That parsons have no care for truth;
While Canon Kingsley loudly cries
That history is a pack of lies.
What cause for judgment so malign?
A brief reflection solves the mystery;
For Froude thinks Kingsley a divine,
And Kingsley goes to Froude for history.

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