Cambridge Essays, Volume 1John W. Parker and son, 1856 |
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Page 13
... effect of the contrast in style is so irresistibly comic , that it almost redeems the dull indecency of the remainder of the play . Nearly a twelvemonth elapsed before Molière presented the public with a new piece . It is idle to ...
... effect of the contrast in style is so irresistibly comic , that it almost redeems the dull indecency of the remainder of the play . Nearly a twelvemonth elapsed before Molière presented the public with a new piece . It is idle to ...
Page 14
... effect at the head of a book . ( Molière then goes on to explain his motive in the choice of his subject . Things the most excellent , he says , are liable to be badly aped by persons who deserve to be shown up . After some ...
... effect at the head of a book . ( Molière then goes on to explain his motive in the choice of his subject . Things the most excellent , he says , are liable to be badly aped by persons who deserve to be shown up . After some ...
Page 17
... effect of the play . When asked how it came to pass that the two suitors had left the house so coldly , Madelon replies , ' La belle galanterie que la leur ! Quoi ! débuter d'abord par le mariage !! Eh !! par où veux tu donc qu'ils ...
... effect of the play . When asked how it came to pass that the two suitors had left the house so coldly , Madelon replies , ' La belle galanterie que la leur ! Quoi ! débuter d'abord par le mariage !! Eh !! par où veux tu donc qu'ils ...
Page 19
... effects of the Symposium , or else was taking an unfair advantage over the impaired faculties of the two poets , by trying to persuade them that , boast they never so highly of their respective supremacy , to write tragedies and ...
... effects of the Symposium , or else was taking an unfair advantage over the impaired faculties of the two poets , by trying to persuade them that , boast they never so highly of their respective supremacy , to write tragedies and ...
Page 28
... effect . For example , the exquisite scene between the two rustic coquettes and Don Juan , the still more ludicrous interview of the young rake with his tradesman , M. Dimanche , -these are , both of them , Molière's own . Then again ...
... effect . For example , the exquisite scene between the two rustic coquettes and Don Juan , the still more ludicrous interview of the young rake with his tradesman , M. Dimanche , -these are , both of them , Molière's own . Then again ...
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Popular passages
Page 41 - I was confirmed in this opinion, that he who would not be frustrate of his hope to write well hereafter in laudable things, ought himself to be a true poem...
Page 248 - And all his greaves and cuisses dash'd with drops Of onset ; and the light and lustrous curls — That made his forehead like a rising sun High from the...
Page 262 - I was left a trampled orphan, and a selfish uncle's ward. Or to burst all links of habit — there to wander far away, On from island unto island at the gateways of the day.
Page 226 - Dower'd with the hate of hate, the scorn of scorn, The love of love.
Page 179 - What nothing earthly gives, or can destroy, The soul's calm sunshine, and the heart-felt joy, Is virtue's prize: A better would you fix?
Page 279 - Yet if some voice that man could trust Should murmur from the narrow house, 'The cheeks drop in; the body bows; Man dies : nor is there hope in dust : ' Might I not say? 'Yet even here, But for one hour, O Love, I strive To keep so sweet a thing alive...
Page 246 - The bare black cliff clang' d round him, as he based His feet on juts of slippery crag that rang Sharp-smitten with the dint of armed heels — And on a sudden, lo ! the level lake, And the long glories of the winter moon.
Page 254 - Not wholly in the busy world, nor quite Beyond it, blooms the garden that I love. News from the humming city comes to it In sound of funeral or of marriage bells ; And, sitting muffled in dark leaves, you hear The windy clanging of the minster clock ; Although between it and the garden lies A league of grass...
Page 178 - tis the price of toil; The knave deserves it, when he tills the soil, The knave deserves it, when he tempts the main, Where folly fights for kings, or dives for gain. The good man may be weak, be indolent; Nor is his claim to plenty, but content. But grant him riches, your demand is o'er? "No — shall the good want health, the good want power?" Add health and power, and every earthly thing, "Why bounded power? why private? why no king?
Page 12 - The New Cratylus; Contributions towards a more accurate Knowledge of the Greek Language. By Dr.