Cambridge Essays, Volume 1John W. Parker and son, 1856 |
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Page 21
... second he drove home the satire , which he had left in a vague and impersonal shape in the first ; while in the third he drew down upon himself a hornet's nest of unscrupulous enemies , by a cutting and merciless exposure of the ...
... second he drove home the satire , which he had left in a vague and impersonal shape in the first ; while in the third he drew down upon himself a hornet's nest of unscrupulous enemies , by a cutting and merciless exposure of the ...
Page 22
... second husband . It was filled with all the nastiness which is to be found in the slums of a theatre . Prodigal of indecency , it won the sympathies of Bayle ( s . v . Poquelin ) , and has since become the repertory from which writers ...
... second husband . It was filled with all the nastiness which is to be found in the slums of a theatre . Prodigal of indecency , it won the sympathies of Bayle ( s . v . Poquelin ) , and has since become the repertory from which writers ...
Page 25
... second only to Tartuffe and the Misanthrope . Sed hæc hactenus . In the year 1850 , a young Spaniard , on whom Nature had been prodigal of her choicest gifts , presented himself at the ' Bibliothéque du Roi , ' - we beg pardon ...
... second only to Tartuffe and the Misanthrope . Sed hæc hactenus . In the year 1850 , a young Spaniard , on whom Nature had been prodigal of her choicest gifts , presented himself at the ' Bibliothéque du Roi , ' - we beg pardon ...
Page 27
... second member of the title . Half animal , half angel , man is capable of two kinds of amorous passion . He may be voluptuous , without love ; or he may love , without being voluptuous ; the slave of his appetites or the master . If ...
... second member of the title . Half animal , half angel , man is capable of two kinds of amorous passion . He may be voluptuous , without love ; or he may love , without being voluptuous ; the slave of his appetites or the master . If ...
Page 30
... second scene of the last act , and see with what withering , pungent sarcasm Molière turns round upon those whose machinations had compassed the suppression of Tartuffe , and with sharp outline , broad touches , and bold colouring ...
... second scene of the last act , and see with what withering , pungent sarcasm Molière turns round upon those whose machinations had compassed the suppression of Tartuffe , and with sharp outline , broad touches , and bold colouring ...
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Popular passages
Page 41 - I was confirmed in this opinion, that he who would not be frustrate of his hope to write well hereafter in laudable things, ought himself to be a true poem...
Page 248 - And all his greaves and cuisses dash'd with drops Of onset ; and the light and lustrous curls — That made his forehead like a rising sun High from the...
Page 262 - I was left a trampled orphan, and a selfish uncle's ward. Or to burst all links of habit — there to wander far away, On from island unto island at the gateways of the day.
Page 226 - Dower'd with the hate of hate, the scorn of scorn, The love of love.
Page 179 - What nothing earthly gives, or can destroy, The soul's calm sunshine, and the heart-felt joy, Is virtue's prize: A better would you fix?
Page 279 - Yet if some voice that man could trust Should murmur from the narrow house, 'The cheeks drop in; the body bows; Man dies : nor is there hope in dust : ' Might I not say? 'Yet even here, But for one hour, O Love, I strive To keep so sweet a thing alive...
Page 246 - The bare black cliff clang' d round him, as he based His feet on juts of slippery crag that rang Sharp-smitten with the dint of armed heels — And on a sudden, lo ! the level lake, And the long glories of the winter moon.
Page 254 - Not wholly in the busy world, nor quite Beyond it, blooms the garden that I love. News from the humming city comes to it In sound of funeral or of marriage bells ; And, sitting muffled in dark leaves, you hear The windy clanging of the minster clock ; Although between it and the garden lies A league of grass...
Page 178 - tis the price of toil; The knave deserves it, when he tills the soil, The knave deserves it, when he tempts the main, Where folly fights for kings, or dives for gain. The good man may be weak, be indolent; Nor is his claim to plenty, but content. But grant him riches, your demand is o'er? "No — shall the good want health, the good want power?" Add health and power, and every earthly thing, "Why bounded power? why private? why no king?
Page 12 - The New Cratylus; Contributions towards a more accurate Knowledge of the Greek Language. By Dr.