Joseph Conrad--comparative Essays

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Texas Tech University Press, 1994 - Literary Criticism - 290 pages
This collection of essays continues Adam Gillon's comparatist approach to Joseph Conrad, which he exhibited in three previous books: The Eternal Solitary: A Study of Joseph Conrad (1960 and 1964), Conrad and Shakespeare and Other Essays (1976), and Joseph Conrad (Tawyne English Authors Series), 1982. In the present collection, Gillon extends his perspectives by examining the affinities between Conrad's descriptive art and painting and film. Gillon presents a variety of new views and insights as he traces the connections between Conrad and such writers as Henry James and Vladimir Nabokov and compares Conradian characters Prince Roman and Peer Ivanovitch. Gillon's Polish background looms large in this collection. His mastery of the Polish language is apparent in the discussion of two Polish novels about Conrad's early life and in his translation of excerpts from these novels. The first and last chapters offer moving glimpses of Gillon's own Polish footprints, his initiation into Conrad lore, and the visit to his native land after a long absence. The intimacy and wry humor of these recollections are evident also in his essay about adapting Conrad to film, which is illustrated with excerpts from his scripts Under Western Eyes and Dark Country, his screenplay inspired by Heart of Darkness and Conradian themes. A native of Poland, Adam Gillon is professor emeritus of English and comparative literature at the State University of New York, New Paltz. He has lectured at universities in Canada, Israel, and Europe. His numerous publications include critical studies of Conrad, fiction, poetry, translations, articles, and reviews. He has written award-winning plays for screen, stage, and radio. He wrote, directed, and produced a feature film, The Bet. Gillon is president of the Joseph Conrad Society of America and founder and senior editor of its newsletter, Joseph Conrad Today.Raymond Brebach is an associate professor of humanities at Drexel University. He is a contributing editor for the Cambridge Edition of the Works of Joseph Conrad and he edits Joseph Conrad Today, the newsletter of the Joseph Conrad Society of America. He has written on the collaboration of Joseph Conrad and Ford Madox Ford.
 

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Contents

My Secret Choice By Way of a Familiar Preface
1
A World of Things Beyond the Range of Commonplace Definitions Conrad and James
11
Imitations of Imitations Conrads Victory and Nabokovs Lolita
21
The Jews in Conrads Fiction
41
Conrads Satirical Stance in Under Western Eyes Two Strange BedfellowsPrince Roman and Peter Ivanovitch
59
Will the Real Mr Conrad Please Stand Up? The Fictional Polish Conrad
69
Translation of Excerpts from Leszek Proroks The Radiant Line
87
Translation of Excerpts from Wacfaw Bilinskis The Affair in Marseilles
103
Speechless Feeling Hand Imagery in Selected Works of Joseph Conrad
127
Adapting Conrad to Film A Scholars Odyssey to Screenwriting
145
Excerpts from the Second Draft of Under Western Eyes
183
Excerpts from Dark Country
231
The Glimpses of Old Moons
269
Notes
275
INDEX
285
Copyright

Conrad as Painter
113

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