Raids on Human Consciousness: Writing, Anarchism, and Violence
However one looks at violence -- as an instrument of bureaucracy or ideology; as a product of racial, gender, or class antagonisms; or as the inevitable result of power politics -- it is an integral part of every social system and is one of the most pressing problems of our tortured century.
In Raids on Human Consciousness Arthur Redding examines the contention that violence, be it the mass product of revolutionary uprising or a private sadomasochistic indulgence, may be taken to instill in those who commit it the capacity for radical change.
Conscious that mainstream theory considers violence deviant, a departure from the normal equilibrium of social and aesthetic structures, while other critiques take it to be integral to any dynamic system, Redding begins with the anarchist inquiry into the relationship of violence to the imaginary representation of modern communities. He explores the "public images" of anarchism in literature and popular culture and emphasizes the diverse strategies by which modern writers encounter, derive, deflect, and manipulate fantasies of political violence.
Redding recognizes that language fails when confronted with the extreme suffering of human bodies. Acknowledging that flesh is subject to war, torture, and everyday brutality -- violations to which language can never do justice -- he nonetheless finds it urgent to reclaim language on the far side of suffering.
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man of little imagination , who is aware of the possibility of language and ideas
becoming alienated ” ( 1981 , 175 ) . Probing Western eyes themselves peer with
the deformations of rage . It is in this context that we should consider the ...
Dialogism is the realm of possibilities , occasioned by laughter . ... Even the most
grotesque fantasies proffer utopian glimmerings : “ dream is introduced precisely
as the possibility of a completely different life , organized according to different ...
no longer possible , and while new possibilities are everywhere , as Lorde insists
, they are not Vida ' s . ... The possibility Vida clings to has been evacuated from
the realm of the thinkable , like the god in Huxley ' s Brave New World ( 1932 ) ...