Raids on Human Consciousness: Writing, Anarchism, and Violence
However one looks at violence -- as an instrument of bureaucracy or ideology; as a product of racial, gender, or class antagonisms; or as the inevitable result of power politics -- it is an integral part of every social system and is one of the most pressing problems of our tortured century.
In Raids on Human Consciousness Arthur Redding examines the contention that violence, be it the mass product of revolutionary uprising or a private sadomasochistic indulgence, may be taken to instill in those who commit it the capacity for radical change.
Conscious that mainstream theory considers violence deviant, a departure from the normal equilibrium of social and aesthetic structures, while other critiques take it to be integral to any dynamic system, Redding begins with the anarchist inquiry into the relationship of violence to the imaginary representation of modern communities. He explores the "public images" of anarchism in literature and popular culture and emphasizes the diverse strategies by which modern writers encounter, derive, deflect, and manipulate fantasies of political violence.
Redding recognizes that language fails when confronted with the extreme suffering of human bodies. Acknowledging that flesh is subject to war, torture, and everyday brutality -- violations to which language can never do justice -- he nonetheless finds it urgent to reclaim language on the far side of suffering.
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[ I ] n her extreme childhood her father , his gun in hand , had fallen in the blood -
stained streets of Paris on a barricade ; but on the other side it took an English
aristocrat to account for him , though a poor specimen apparently had to suffice ...
... yes they are wrong ; and poor Lindau died in a bad cause , as you say , Tom . ”
( 392 – 93 ) Perhaps this is not quite satire , but it is a pretty savage indictment of
March . March is equivocating here , clearly ; he no longer seems up to even the
Ford evokes a lost innocence , “ the spirit of romance , of youth , perhaps of sheer
tomfoolery ” ( 137 ) , and refers explicitly to “ the poor idiot who blew himself to
pieces in the attempt on Greenwich Observatory . " His explication of the event ...