Raids on Human Consciousness: Writing, Anarchism, and Violence
However one looks at violence -- as an instrument of bureaucracy or ideology; as a product of racial, gender, or class antagonisms; or as the inevitable result of power politics -- it is an integral part of every social system and is one of the most pressing problems of our tortured century.
In Raids on Human Consciousness Arthur Redding examines the contention that violence, be it the mass product of revolutionary uprising or a private sadomasochistic indulgence, may be taken to instill in those who commit it the capacity for radical change.
Conscious that mainstream theory considers violence deviant, a departure from the normal equilibrium of social and aesthetic structures, while other critiques take it to be integral to any dynamic system, Redding begins with the anarchist inquiry into the relationship of violence to the imaginary representation of modern communities. He explores the "public images" of anarchism in literature and popular culture and emphasizes the diverse strategies by which modern writers encounter, derive, deflect, and manipulate fantasies of political violence.
Redding recognizes that language fails when confronted with the extreme suffering of human bodies. Acknowledging that flesh is subject to war, torture, and everyday brutality -- violations to which language can never do justice -- he nonetheless finds it urgent to reclaim language on the far side of suffering.
Results 1-3 of 43
Sorel situates the “ myth ” of the general strike squarely in the collective
imagination of the workers ; as Alice Yaeger Kaplan ( 1986 ) has been the most
recent to point out , his Reflections on Violence ( 1906 ) emphasizes reflection
over violent ...
Over and against such utopias Sorel posits what he calls myth . We can quibble
over his diction ; the point is that myths are , by their very nature , unrealizable in
material or conceptual terms ( although , paradoxically , they are all that can ...
Myth — the myth of violence ( a point that Laclau and Mouffe do not emphasize )
— provides the collective enunciation of ... Yet even in Sorel ' s work it is often
unclear whether this myth arises spontaneously from the collective