Raids on Human Consciousness: Writing, Anarchism, and Violence

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University of South Carolina Press, 1998 - Literary Criticism - 275 pages
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However one looks at violence -- as an instrument of bureaucracy or ideology; as a product of racial, gender, or class antagonisms; or as the inevitable result of power politics -- it is an integral part of every social system and is one of the most pressing problems of our tortured century.

In Raids on Human Consciousness Arthur Redding examines the contention that violence, be it the mass product of revolutionary uprising or a private sadomasochistic indulgence, may be taken to instill in those who commit it the capacity for radical change.

Conscious that mainstream theory considers violence deviant, a departure from the normal equilibrium of social and aesthetic structures, while other critiques take it to be integral to any dynamic system, Redding begins with the anarchist inquiry into the relationship of violence to the imaginary representation of modern communities. He explores the "public images" of anarchism in literature and popular culture and emphasizes the diverse strategies by which modern writers encounter, derive, deflect, and manipulate fantasies of political violence.

Redding recognizes that language fails when confronted with the extreme suffering of human bodies. Acknowledging that flesh is subject to war, torture, and everyday brutality -- violations to which language can never do justice -- he nonetheless finds it urgent to reclaim language on the far side of suffering.

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Page 7
The form that Foucault ' s “ myth ” takes in Discipline and Punish has to do with
the effects of power on the body , effects ... everywhere avoids positing any
reductive motor force behind history , he resists a general theory of cause and
effect .
Page 9
Effectively summarizing Nietzsche and Foucault in his introduction , Feldman
argues that power is “ fictionalized as a metonym of doing , the simultaneous site
of origin and effect . A mythic refiguration of action generates a perspectivist
illusion ...
Page 134
... emblematic description of the fire , in which frenzied destruction all plots
culminate : A great fire at night always produces an exciting and exhilarating
effect — that is the main idea behind fireworks . But then , fireworks create regular
and eye ...

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Contents

6
29
Satire Georges Sorel
30
Modern Text
71
Copyright

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Raids on Human Consciousness: Writing, Anarchism, and Violence
Arthur F. Redding
No preview available - 1998

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according action aesthetic already American anarchism anarchist argues attempt becomes body capitalism cause chapter character claims collective condemned Conrad consciousness consider constitute consumer course critical culture defining Deleuze depends desire discussion distinction dream economic effect effort emerges fantasy fiction figure force foreign given hand human idea ideological imagination insists instance involves Iron issue James language least Left less liberal limits lives March marks Marxism mass means merely misogyny moral movement myth narrative nature never novel organized perhaps political position possibility potential precisely present problem production question radical reading remains repression response revolutionary rhetoric satire seems sense social society Sorel speak structure struggle suffering suggests techniques textual theory things thought threat tion tradition truth turn utopian violence woman writing

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QR code for Raids on Human Consciousness
TitleRaids on Human Consciousness: Writing, Anarchism, and Violence
Cultural frames, framing culture
Raids on Human Consciousness: Writing, Anarchism, and Violence, Arthur F. Redding
AuthorArthur F. Redding
PublisherUniversity of South Carolina Press, 1998
Original fromthe University of California
Digitized19 Jun 2008
ISBN1570032300, 9781570032301
Length275 pages
Subjects ›  › 

Literary Criticism / American / General
Literary Criticism / Semiotics & Theory
  
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