Picture Composition for Film and Television

Front Cover
Taylor & Francis, 2003 - Education - 261 pages

Behind each shot there lies an idea or purpose. When setting up a shot, the camera operator can employ a range of visual techniques that will clearly communicate the idea to an audience. Composition is the bedrock of the operator's craft, yet is seldom taught in training courses in the belief that it is an intuitive, personal skill. Peter Ward shows how composition can be learned, to enhance the quality of your work.

Based on the author's own practical experience, the book deals with the methods available for resolving practical production questions such as:

Does the shot composition accurately reflect the idea that initiated the shot?
Will the content and method of presenting the subject accurately convey the idea?

Major innovations in television and film production since the previous edition have affected the styles of composition, such as wide-screen and the use of mini DV cameras. These new technologies and their implications for picture composition are addressed in this new edition. A new colour plate section is also being included to update the section on colour.

If you are a practising camera operator, trainee camera operator, student or lecturer on a television or film production course, or simply a video enthusiast wishing to progress to a more professional standard you will find this book essential in enhancing the quality of your work.

 

Contents

1 Invisible technique
1
2 Alternative technique
17
3 The lens the eye and perception
26
4 The lens and perspective
36
5 Visual design
54
6 Frame
83
7 The shape of the screen
90
8 Widescreen composition and film
106
12 Composition styles
142
13 Lighting and composition
168
14 Colour
186
15 Staging
194
16 Movement
202
17 Shooting for editing
217
Endnote
247
Bibliography
249

9 Widescreen composition and TV
112
10 Past influences
123
11 News and documentary
131

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