The life of J.M.W. Turner, Volume 1 |
From inside the book
Results 1-5 of 32
Page 5
... touch , but the drawing is defective . There is a strong likeness to Turner about the nose and eyes . Her eyes are blue , lighter than his , her nose aquiline , and she has a slight fall in the nether lip . Her hair is well frizzed ...
... touch , but the drawing is defective . There is a strong likeness to Turner about the nose and eyes . Her eyes are blue , lighter than his , her nose aquiline , and she has a slight fall in the nether lip . Her hair is well frizzed ...
Page 46
... Broadway , Bristol , he is em- ployed in touching up amateurs ' drawings , and adding skies and backgrounds to architects ' designs ; rolls of white clouds and blue wastes of summer sky which MALTON OF LONG ACRE . 47 gave value to the.
... Broadway , Bristol , he is em- ployed in touching up amateurs ' drawings , and adding skies and backgrounds to architects ' designs ; rolls of white clouds and blue wastes of summer sky which MALTON OF LONG ACRE . 47 gave value to the.
Page 85
... touch . Amongst the merits : miles of receding air , and a sublime sense of infinity , distance , and multi- tude , to which landscape art was hitherto , in any country , quite a stranger . From Cozens , Turner learnt much , and indeed ...
... touch . Amongst the merits : miles of receding air , and a sublime sense of infinity , distance , and multi- tude , to which landscape art was hitherto , in any country , quite a stranger . From Cozens , Turner learnt much , and indeed ...
Page 88
... touch . " Robert Carver was an Irish scene - painter who came over and painted for Drury - lane . His colour- ing was warm , his style grand and simple . He died in his house in Bow - street , 1792 . Thomas Daniel , born at Kingston ...
... touch . " Robert Carver was an Irish scene - painter who came over and painted for Drury - lane . His colour- ing was warm , his style grand and simple . He died in his house in Bow - street , 1792 . Thomas Daniel , born at Kingston ...
Page 99
... touch which gave such breadth to all his architecture . Still , Girtin was at first little more than a mono- chromist ; his local colour being far more sombre than that of nature . Latterly , he threw a golden tone over his work , that ...
... touch which gave such breadth to all his architecture . Still , Girtin was at first little more than a mono- chromist ; his local colour being far more sombre than that of nature . Latterly , he threw a golden tone over his work , that ...
Common terms and phrases
Abbey admirable afterwards architectural artist artist's proofs barber beautiful blue boats born Brentford Bridge Calais Carthage Castle Claude clouds Coast colour copy Cozens dark Dayes death died distance early effect England English engraver eyes father figures foreground Gallery Garden genius Girtin grey guineas Hearne hills imitation Italy J. M. W. TURNER lake landscape Liber light lived London looking Lord Loutherbourg Maiden-lane Malton Margate mezzotint mind mountain Munro never numbers once painter Palace Paul Sandby pencil perhaps Petworth picture Plague of Egypt plates portrait proofs river Rome Royal Academy ruins Ruskin sails says scene scenery Scotland Scott seen shadows ship Sir Charles Eastlake sketch-books sketches skies Somerset House studies sunset Téméraire Thames tints touch tour trees Trimmer Turner exhibited Turner painted Twickenham Ulysses Venice visited water-colour drawings yellow Yorkshire
Popular passages
Page 296 - Last noon beheld them full of lusty life, Last eve in beauty's circle proudly gay ; The midnight brought the signal-sound of strife, The morn the marshalling in arms — the day Battle's magnificently stern array ! The thunder-clouds close o'er it, which when rent The earth is covered thick with other clay, Which her own clay shall cover, heaped and pent, Rider and horse — friend, foe, — in one red burial blent...
Page 189 - Such dusky grandeur clothed the height, Where the huge castle holds its state, And all the steep slope down, Whose ridgy back heaves to the sky, Piled deep and massy, close and high, Mine own romantic town...
Page 190 - Hath rent a strange and shatter'd way Through the rude bosom of the hill, And that each naked precipice, Sable ravine, and dark abyss, Tells of the outrage still. The wildest glen, but this, can show Some touch of Nature's genial glow ; On high...
Page 190 - But here, — above, around, below, On mountain or in glen, Nor tree, nor shrub, nor plant, nor flower, Nor ought of vegetative power, The weary eye may ken.
Page 185 - Cowdenknowes,' the pastoral valley of the Leader, and the bleak wilderness of Lammermoor. To the eastward the desolate grandeur of Hume Castle breaks the horizon, as the eye travels towards the range of the Cheviot. A few miles westward, Melrose, " like some tall rock with lichens grey...
Page 316 - Thou art the garden of the world, the home Of all Art yields, and Nature can decree ; Even in thy desert, what is like to thee ? Thy very weeds are beautiful, thy waste More rich than other climes' fertility : Thy wreck a glory, and thy ruin graced With an immaculate charm which cannot be defaced.
Page 159 - But the most impressive scene, which formed the finale of the exhibition, was that representing the region of the fallen angels, with Satan arraying his troops on the banks of the Fiery Lake, and the rising of the Palace of Pandaemonium, as described by the pen of Milton.
Page 333 - Temeraire: so that these four ships formed as compact a tier as if they had been moored together, their heads lying all the same way. The lieutenants of the Victory...
Page 153 - Itspecullar , , v , , . ,.6 manifestation in of the Yorkshire series have the most heart in them, the most affectionate, simple, unwearied, serious finishing of truth. There is in them little seeking after effect, but a strong love of place, little exhibition of the artist's own powers...