The life of J.M.W. Turner, Volume 1 |
From inside the book
Results 1-5 of 33
Page 59
... studies , as well as we can , with the eye of our imagination , to discover him seated , like other students , on a small , square , sharp - edged box , the slave and worshipper of some Apollo or Antinous . Before this , in adoration ...
... studies , as well as we can , with the eye of our imagination , to discover him seated , like other students , on a small , square , sharp - edged box , the slave and worshipper of some Apollo or Antinous . Before this , in adoration ...
Page 87
... studies of trees ( par- ticularly the ash and willow ) were lauded as most light , firm , and spirited . His works were unequal because he was loaded with commissions and employed hosts of subordinates . While Wilson was all but ...
... studies of trees ( par- ticularly the ash and willow ) were lauded as most light , firm , and spirited . His works were unequal because he was loaded with commissions and employed hosts of subordinates . While Wilson was all but ...
Page 93
... studies . age , must Both lads , with the plastic minds of their have derived deep impressions from these sketching ... studies by Dayes , Girtin's master . Here too he saw Wilson's and Gainsborough's studies , and learnt from the first ...
... studies . age , must Both lads , with the plastic minds of their have derived deep impressions from these sketching ... studies by Dayes , Girtin's master . Here too he saw Wilson's and Gainsborough's studies , and learnt from the first ...
Page 94
... studies closely . There are landscapes and pen sketches , Swiss views and Italian views , particularly on the Neapolitan coast : the Bay of Salerno and the Tomb of Virgil are there , for the lads to learn aërial perspective and its ...
... studies closely . There are landscapes and pen sketches , Swiss views and Italian views , particularly on the Neapolitan coast : the Bay of Salerno and the Tomb of Virgil are there , for the lads to learn aërial perspective and its ...
Page 96
... studies of shipping and costume , and one special view in the neighbourhood of Schaffhausen . For Girtin there were Canaletti drawings to copy ; and for both , pen - washed , bistre , and Indian - ink drawings by Rembrandt , Ostade ...
... studies of shipping and costume , and one special view in the neighbourhood of Schaffhausen . For Girtin there were Canaletti drawings to copy ; and for both , pen - washed , bistre , and Indian - ink drawings by Rembrandt , Ostade ...
Common terms and phrases
Abbey admirable afterwards architectural artist artist's proofs barber beautiful blue boats born Brentford Bridge Calais Carthage Castle Claude clouds Coast colour copy Cozens dark Dayes death died distance early effect England English engraver eyes father figures foreground Gallery Garden genius Girtin grey guineas Hearne hills imitation Italy J. M. W. TURNER lake landscape Liber light lived London looking Lord Loutherbourg Maiden-lane Malton Margate mezzotint mind mountain Munro never numbers once painter Palace Paul Sandby pencil perhaps Petworth picture Plague of Egypt plates portrait proofs river Rome Royal Academy ruins Ruskin sails says scene scenery Scotland Scott seen shadows ship Sir Charles Eastlake sketch-books sketches skies Somerset House studies sunset Téméraire Thames tints touch tour trees Trimmer Turner exhibited Turner painted Twickenham Ulysses Venice visited water-colour drawings yellow Yorkshire
Popular passages
Page 296 - Last noon beheld them full of lusty life, Last eve in beauty's circle proudly gay ; The midnight brought the signal-sound of strife, The morn the marshalling in arms — the day Battle's magnificently stern array ! The thunder-clouds close o'er it, which when rent The earth is covered thick with other clay, Which her own clay shall cover, heaped and pent, Rider and horse — friend, foe, — in one red burial blent...
Page 189 - Such dusky grandeur clothed the height, Where the huge castle holds its state, And all the steep slope down, Whose ridgy back heaves to the sky, Piled deep and massy, close and high, Mine own romantic town...
Page 190 - Hath rent a strange and shatter'd way Through the rude bosom of the hill, And that each naked precipice, Sable ravine, and dark abyss, Tells of the outrage still. The wildest glen, but this, can show Some touch of Nature's genial glow ; On high...
Page 190 - But here, — above, around, below, On mountain or in glen, Nor tree, nor shrub, nor plant, nor flower, Nor ought of vegetative power, The weary eye may ken.
Page 185 - Cowdenknowes,' the pastoral valley of the Leader, and the bleak wilderness of Lammermoor. To the eastward the desolate grandeur of Hume Castle breaks the horizon, as the eye travels towards the range of the Cheviot. A few miles westward, Melrose, " like some tall rock with lichens grey...
Page 316 - Thou art the garden of the world, the home Of all Art yields, and Nature can decree ; Even in thy desert, what is like to thee ? Thy very weeds are beautiful, thy waste More rich than other climes' fertility : Thy wreck a glory, and thy ruin graced With an immaculate charm which cannot be defaced.
Page 159 - But the most impressive scene, which formed the finale of the exhibition, was that representing the region of the fallen angels, with Satan arraying his troops on the banks of the Fiery Lake, and the rising of the Palace of Pandaemonium, as described by the pen of Milton.
Page 333 - Temeraire: so that these four ships formed as compact a tier as if they had been moored together, their heads lying all the same way. The lieutenants of the Victory...
Page 153 - Itspecullar , , v , , . ,.6 manifestation in of the Yorkshire series have the most heart in them, the most affectionate, simple, unwearied, serious finishing of truth. There is in them little seeking after effect, but a strong love of place, little exhibition of the artist's own powers...