The life of J.M.W. Turner, Volume 1 |
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Page iii
... shadow , has pursued . " - SHELLEY'S ALASTOR . IN TWO VOLUMES . VOL . I. LONDON : HURST AND BLACKETT , PUBLISHERS , SUCCESSORS TO HENRY COLBURN , 13 , GREAT MARLBOROUGH STREET . 1862 . The right of Translation is reserved . 200f 35 210 ...
... shadow , has pursued . " - SHELLEY'S ALASTOR . IN TWO VOLUMES . VOL . I. LONDON : HURST AND BLACKETT , PUBLISHERS , SUCCESSORS TO HENRY COLBURN , 13 , GREAT MARLBOROUGH STREET . 1862 . The right of Translation is reserved . 200f 35 210 ...
Page 11
... to trot the barber's son on their knees , seem to have left no more impression on his mind than so many shadows . No physiologist has yet attempted to explain what 12 WHAT IS GENIUS ? constitutes that special capability and.
... to trot the barber's son on their knees , seem to have left no more impression on his mind than so many shadows . No physiologist has yet attempted to explain what 12 WHAT IS GENIUS ? constitutes that special capability and.
Page 13
... shadow of the striped pole , and from out of the darkness of the dim vaulted passage . Fortunately an anecdote is extant which gives us the very starting point of the boy's art life . It is like that dark spot in an egg which afterwards ...
... shadow of the striped pole , and from out of the darkness of the dim vaulted passage . Fortunately an anecdote is extant which gives us the very starting point of the boy's art life . It is like that dark spot in an egg which afterwards ...
Page 24
... shadow of St. Paul's . Father still warms to art , encouraged , I suppose , by artist customers , who talk of Hogarth , Paul Sandby , and Gainsborough while their heads are being shaved . The boy prattles of Brentford and the river ...
... shadow of St. Paul's . Father still warms to art , encouraged , I suppose , by artist customers , who talk of Hogarth , Paul Sandby , and Gainsborough while their heads are being shaved . The boy prattles of Brentford and the river ...
Page 39
... shadow of St. Paul's , you were soon in the fields ; so that while the city of this day was more snug and social than at present , you were sooner out in the fresher suburbs , and those smoky green fields that we now have to seek at ...
... shadow of St. Paul's , you were soon in the fields ; so that while the city of this day was more snug and social than at present , you were sooner out in the fresher suburbs , and those smoky green fields that we now have to seek at ...
Common terms and phrases
Abbey admirable afterwards architectural artist artist's proofs barber beautiful blue boats born Brentford Bridge Calais Carthage Castle Claude clouds Coast colour copy Cozens dark Dayes death died distance early effect England English engraver eyes father figures foreground Gallery Garden genius Girtin grey guineas Hearne hills imitation Italy J. M. W. TURNER lake landscape Liber light lived London looking Lord Loutherbourg Maiden-lane Malton Margate mezzotint mind mountain Munro never numbers once painter Palace Paul Sandby pencil perhaps Petworth picture Plague of Egypt plates portrait proofs river Rome Royal Academy ruins Ruskin sails says scene scenery Scotland Scott seen shadows ship Sir Charles Eastlake sketch-books sketches skies Somerset House studies sunset Téméraire Thames tints touch tour trees Trimmer Turner exhibited Turner painted Twickenham Ulysses Venice visited water-colour drawings yellow Yorkshire
Popular passages
Page 296 - Last noon beheld them full of lusty life, Last eve in beauty's circle proudly gay ; The midnight brought the signal-sound of strife, The morn the marshalling in arms — the day Battle's magnificently stern array ! The thunder-clouds close o'er it, which when rent The earth is covered thick with other clay, Which her own clay shall cover, heaped and pent, Rider and horse — friend, foe, — in one red burial blent...
Page 189 - Such dusky grandeur clothed the height, Where the huge castle holds its state, And all the steep slope down, Whose ridgy back heaves to the sky, Piled deep and massy, close and high, Mine own romantic town...
Page 190 - Hath rent a strange and shatter'd way Through the rude bosom of the hill, And that each naked precipice, Sable ravine, and dark abyss, Tells of the outrage still. The wildest glen, but this, can show Some touch of Nature's genial glow ; On high...
Page 190 - But here, — above, around, below, On mountain or in glen, Nor tree, nor shrub, nor plant, nor flower, Nor ought of vegetative power, The weary eye may ken.
Page 185 - Cowdenknowes,' the pastoral valley of the Leader, and the bleak wilderness of Lammermoor. To the eastward the desolate grandeur of Hume Castle breaks the horizon, as the eye travels towards the range of the Cheviot. A few miles westward, Melrose, " like some tall rock with lichens grey...
Page 316 - Thou art the garden of the world, the home Of all Art yields, and Nature can decree ; Even in thy desert, what is like to thee ? Thy very weeds are beautiful, thy waste More rich than other climes' fertility : Thy wreck a glory, and thy ruin graced With an immaculate charm which cannot be defaced.
Page 159 - But the most impressive scene, which formed the finale of the exhibition, was that representing the region of the fallen angels, with Satan arraying his troops on the banks of the Fiery Lake, and the rising of the Palace of Pandaemonium, as described by the pen of Milton.
Page 333 - Temeraire: so that these four ships formed as compact a tier as if they had been moored together, their heads lying all the same way. The lieutenants of the Victory...
Page 153 - Itspecullar , , v , , . ,.6 manifestation in of the Yorkshire series have the most heart in them, the most affectionate, simple, unwearied, serious finishing of truth. There is in them little seeking after effect, but a strong love of place, little exhibition of the artist's own powers...