The Principles of Rhetoric and Their Application |
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... Example 209 V. VI . PERSUASION IIL BURDEN OF PROOF AND PRESUMPTION IV . ORDER OF PROPOSITION AND PROOF . INTRODUCTIONS AND CONCLUSIONS 219 226 237 245 APPENDIX . I. GENERAL RULES FOR PUNCTUATION 249 II . CAPITAL LETTERS 279 INDEX ...
... Example 209 V. VI . PERSUASION IIL BURDEN OF PROOF AND PRESUMPTION IV . ORDER OF PROPOSITION AND PROOF . INTRODUCTIONS AND CONCLUSIONS 219 226 237 245 APPENDIX . I. GENERAL RULES FOR PUNCTUATION 249 II . CAPITAL LETTERS 279 INDEX ...
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... . v . 2 Essay on Style . 3 Query as to the position of this clause ; see p . 140 . 4 See p . 34 for an example taken from this very essay . 5 See pp . 10 , 61 . terday or to - morrow , still less with a 2 [ Book I. GRAMMATICAL PURITY .
... . v . 2 Essay on Style . 3 Query as to the position of this clause ; see p . 140 . 4 See p . 34 for an example taken from this very essay . 5 See pp . 10 , 61 . terday or to - morrow , still less with a 2 [ Book I. GRAMMATICAL PURITY .
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... has become anti- quated , nor by those whose national reputation is not 1 George Eliot : Middlemarch . 2 See , for other examples , p . 22 . firmly established . Not even the authority of Shaks- pere GRAMMATICAL PURITY . [ BOOK I.
... has become anti- quated , nor by those whose national reputation is not 1 George Eliot : Middlemarch . 2 See , for other examples , p . 22 . firmly established . Not even the authority of Shaks- pere GRAMMATICAL PURITY . [ BOOK I.
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... .1 ― are all Again words may be in present use in poetry which are obsolete , or almost obsolete , in prose . 1 Marsh English Language , lect . viii . Examples in point are : ere , anon , mount CHAP . I. ] 9 GOOD USE .
... .1 ― are all Again words may be in present use in poetry which are obsolete , or almost obsolete , in prose . 1 Marsh English Language , lect . viii . Examples in point are : ere , anon , mount CHAP . I. ] 9 GOOD USE .
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... example , may indulge in expressions , now obsolete , that are charac- teristic of the time in which the scene is laid ; but care should be taken not to make such expressions so numerous as to render the work unintelligible to ordi ...
... example , may indulge in expressions , now obsolete , that are charac- teristic of the time in which the scene is laid ; but care should be taken not to make such expressions so numerous as to render the work unintelligible to ordi ...
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adjective adverb analogy Antecedent Probability Anthony Trollope argument from Antecedent arguments from Sign attention authority called canon cause chap circumstances clause clear colon comma common composition conclusion connected dependent clause discourse E. A. Freeman effect English English Language Essay evidence example expression fact fault favor feeling force George Eliot give grammatical hand Herbert Spencer idea instance J. H. Newman language lect letter Logic Macaulay Martin Chuzzlewit Matthew Arnold meaning ment metaphor Middlemarch mind natural never noun object opinion Orator Paradise Lost paragraph person perspicuity phrase poetry political preferable presumption principle pronoun proof proposition prose prove punctuation purpose question Quintilian reader reason reputation Rhetoric rule scene Scott sect sense sentence Shakspere simile sion sometimes speak speaker speech style tence thing thought tion truth usage verb vulgar Whately whole words writer
Popular passages
Page 179 - Or is it some more humble lay, Familiar matter of to-day? Some natural sorrow, loss, or pain, That has been, and may be again!
Page 130 - The question with me is not whether you have a right to render your people miserable, but whether it is not your interest to make them happy. It is not what a lawyer tells me I may do, but what humanity, reason, and justice tell me I ought to do.
Page 241 - I come not, friends, to steal away your hearts. I am no orator, as Brutus is, But, as you know me all, a plain blunt man That love my friend, and that they know full well That gave me public leave to speak of him. For I have neither wit, nor words, nor worth, Action, nor utterance, nor the power of speech To stir men's blood.
Page 29 - In words, as fashions, the same rule will hold; Alike fantastic, if too new, or old: Be not the first by whom the new are tried, Nor yet the last to lay the old aside.
Page 269 - You hear now no roar of hostile cannon; you see no mixed volumes of smoke and flame rising from burning Charlestown. The ground strewed with the dead and the dying; the impetuous charge; the steady and successful repulse ; the loud call to repeated assault ; the summoning of all that is manly to repeated resistance...
Page 96 - Tis not, as heads that never ache suppose, Forgery of fancy and a dream of woes ; Man is a harp whose chords elude the sight, Each yielding harmony, disposed aright, The screws reversed, (a task which if he please God in a moment executes with ease,) Ten thousand thousand strings at once go loose, Lost, till he tune them, all their power and use.
Page 241 - And bid them speak for me: but were I Brutus, And Brutus Antony, there were an Antony Would ruffle up your spirits and put a tongue In every wound of Caesar that should move The stones of Rome to rise and mutiny.
Page 209 - Treason, treason!" echoed from every part of the house. Henry faltered not for an instant, but, taking a loftier attitude, and fixing on the speaker an eye of fire, he added " may profit by their example. If this be treason, make the most of it...
Page 132 - If the flights of Dryden therefore, are higher, Pope continues longer on the wing. If of Dryden's fire the blaze is brighter, of Pope's the heat is more regular and constant. Dryden often surpasses expectation, and Pope never falls below it. Dryden is read with frequent astonishment, and Pope with perpetual delight.
Page 86 - If then God so clothe the grass, which is to-day in the field, and to-morrow is cast into the oven; how much more will he clothe you, O ye of little faith!