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"Not hear it?

yes, I hear it, and have heard it. Long

long-long- many minutes, many hours, many days, have

I heard it yet I dared not

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oh, pity me, miserable wretch I dared not speak! We have put her living in the tomb! Said I not that my senses were acute? I now tell you that I heard her first feeble movements in the hollow coffin. I heard them many, many days ago dared not- I dared not speak! And now - to-nightEthelred ha! ha! — the breaking of the hermit's door, and the death cry of the dragon, and the clangor of the shield!— say, rather, the rending of her coffin, and the grating of the iron hinges of her prison, and her struggles within the coppered archway of the vault! Oh, whither shall I fly? Will she not be here anon? Is she not hurrying to upbraid me for my haste? Have I not heard her footstep on the stair? Do I not distinguish that heavy and horrible beating of her heart? Madman!" here he sprang furiously to his feet, and shrieked out his syllables, as if in the effort he were giving up his soul"Madman! I tell you that she now stands

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without the door!".

As if in the superhuman energy of his utterance there had been found the potency of a spell, the huge antique panels to which the speaker pointed threw slowly back, upon the instant, their ponderous and ebony jaws. It was the work of the rushing gust - but then without those doors there did stand the lofty and enshrouded figure of the lady Madeline of Usher. There was blood upon her white robes, and the evidence of some bitter struggle upon every portion of her emaciated frame. For a moment she remained trembling and reeling to and fro upon the threshold- - then, with a low moaning cry, fell heavily inward upon the person of her brother, and, in her violent and now final death agonies, bore him to the floor a corpse, and a victim to the terrors he had anticipated.

From that chamber, and from that mansion, I fled aghast. The storm was still abroad in all its wrath as I found myself crossing the old causeway. Suddenly there shot along the path a wild light, and I turned to see whence a gleam so unusual could have issued; for the vast house and its shadows were alone behind me. The radiance was that of the full, setting, and blood-red moon, which now shone vividly through that once barely discernible fissure, of which I have before spoken as extending from the roof of the building, in a zigzag direction, to the base. While I gazed, this fissure rapidly widened there came a fierce breath of the whirlwind entire orb of the satellite burst at once upon my sight-my brain reeled as I saw the mighty walls rushing asunder— there was a long, tumultuous, shouting sound like the voice of a thousand waters and the deep and dank tarn at my feet closed sullenly and silently over the fragments of the "House of Usher."

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JOHN PENDLETON KENNEDY

[John Pendleton Kennedy was born in Baltimore, Maryland, in 1795. After graduating from a local college he studied law and began to practice his profession. For the rest of his life he divided his attention among law, politics, and literature. In 1852 he became Secretary of the Navy under President Fillmore. He died at Newport, Rhode Island, in 1870.]

SELECTIONS FROM "SWALLOW BARN"

SWALLOW BARN, AN OLD VIRGINIA ESTATE

Swallow Barn is an aristocratical old edifice which sits, like a brooding hen, on the southern bank of the James River. It looks down upon a shady pocket or nook, formed by an indentation of the shore, from a gentle acclivity thinly sprinkled with

oaks whose magnificent branches afford habitation to sundry friendly colonies of squirrels and woodpeckers.

This time-honored mansion was the residence of the family of Hazards. But in the present generation the spells of love and mortgage have translated the possession to Frank Meriwether, who, having married Lucretia, the eldest daughter of my late Uncle Walter Hazard, and lifted some gentlemanlike encumbrances which had been sleeping for years upon the domain, was thus inducted into the proprietary rights. The adjacency of his own estate gave a territorial feature to this alliance, of which the fruits were no less discernible in the multiplication of negroes, cattle, and poultry than in a flourishing clan. of Meriwethers.

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JOHN PENDLETON KENNEDY

The main building is more than a century old. It is built with thick brick walls, but one story in height, and surmounted by a double-faced or hipped roof, which gives the idea of a ship bottom upwards. Later buildings have been added to this as the wants or ambition of the family have expanded. These are all constructed of wood, and seem to have been built in defiance of all laws of congruity, just as convenience required. But they form altogether an agreeable picture of habitation, suggesting the idea of comfort in the ample space they fill and in their conspicuous adaptation to domestic uses.

The hall door is an ancient piece of walnut, which has grown

too heavy for its hinges and by its daily travel has furrowed the floor in a quadrant, over which it has an uneasy journey. It is shaded by a narrow porch, with a carved pediment upheld by massive columns of wood, somewhat split by the sun. An ample courtyard, inclosed by a semicircular paling, extends in front of the whole pile, and is traversed by a gravel road leading from a rather ostentatious iron gate, which is swung between two pillars of brick surmounted by globes of cut stone. Between the gate and the house a large willow spreads its arched and pendent drapery over the grass. A bridle rack stands within the inclosure, and near it a ragged horse-nibbled plum treethe current belief being that a plum tree thrives on ill usage -casts its skeleton shadow on the dust.

Some Lombardy poplars, springing above a mass of shrubbery, partially screen various supernumerary buildings at a short distance in the rear of the mansion. Amongst these is to be seen the gable end of a stable, with the date of its erection stiffly emblazoned in black bricks near the upper angle, in figures set in after the fashion of the work on a girl's sampler. In the same quarter a pigeon box, reared on a post and resembling a huge teetotum, is visible, and about its several doors and windows a family of pragmatical pigeons are generally strutting, bridling, and bragging at each other from sunrise until dark.

Appendant to this homestead is an extensive tract of land which stretches some three or four miles along the river, presenting alternately abrupt promontories mantled with pine and dwarf oak, and small inlets terminating in swamps. Some sparse portions of forest vary the landscape, which, for the most part, exhibits a succession of fields clothed with Indian corn, some small patches of cotton or tobacco plants, with the usual varieties of stubble and fallow grounds. These are inclosed by worm fences of shrunken chestnut, where lizards and ground squirrels are perpetually running races along the rails.

A few hundred steps from the mansion a brook glides at a snail's pace towards the river, holding its course through a wilderness of laurel and alder, and creeping around islets covered with green mosses. Across this stream is thrown a rough bridge, which it would delight a painter to see; and not far below it an aged sycamore twists its roots into a grotesque framework to the pure mirror of a spring, which wells up its cool waters from a bed of gravel and runs gurgling to the brook. There it aids in furnishing a cruising ground to a squadron of ducks who, in defiance of all nautical propriety, are incessantly turning up their sterns to the skies. On the grass which skirts the margin of the spring I observe the family linen is usually spread out by some three or four negro women, who chant shrill music over their washtubs, and seem to live in ceaseless warfare with sundry little besmirched and bow-legged blacks, who are never tired of making somersaults and mischievously pushing each other on the clothes laid down to dry.

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Beyond the bridge, at some distance, stands a prominent object in the perspective of this picture, the most venerable appendage to the establishment, a huge barn with an immense roof hanging almost to the ground and thatched a foot thick with sunburnt straw, which reaches below the eaves in ragged flakes. It has a singularly drowsy and decrepit aspect. The yard around it is strewed knee-deep with litter, from the midst of which arises a long rack resembling a chevaux-de-frise, which is ordinarily filled with fodder. This is the customary lounge of half a score of oxen and as many cows, who sustain an imperturbable companionship with a sickly wagon, whose parched tongue and drooping swingletrees, as it stands in the sun, give it a most forlorn and invalid character; whilst some sociable carts under the sheds, with their shafts perched against the walls, suggest the idea of a set of gossiping cronies taking their ease in a tavern porch. Now and then a clownish hobbledehoy

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