The Nature of a Crime |
From inside the book
Results 1-5 of 10
Page x
... passage or another aloud for pur- poses of correction . Moreover I could say : This passage was written in Kent and hammered over in Sussex ; this , written in Sussex and worked on in Kent ; or this again was written in the downstairs ...
... passage or another aloud for pur- poses of correction . Moreover I could say : This passage was written in Kent and hammered over in Sussex ; this , written in Sussex and worked on in Kent ; or this again was written in the downstairs ...
Page xii
... passages of time . I protest against the word : quarrels . There were not any . And I should like to make the note that our collaboration was almost purely oral . We wrote and read aloud the one to the other . Possibly in the end we ...
... passages of time . I protest against the word : quarrels . There were not any . And I should like to make the note that our collaboration was almost purely oral . We wrote and read aloud the one to the other . Possibly in the end we ...
Page xiv
... and eighty percent of the conversations by myself , I supplied almost all the descriptive passages of the really col- laborated parts and such softer senti- ment as was called for . And my Collaborator let xiv Preface.
... and eighty percent of the conversations by myself , I supplied almost all the descriptive passages of the really col- laborated parts and such softer senti- ment as was called for . And my Collaborator let xiv Preface.
Page 32
... passages in that thing as intolerable as anything in any of the Germanic master's scores . But we are held - simply by the idea of the love - philtre : it's that alone that in- We do not care about the initial amenities of Tristan and ...
... passages in that thing as intolerable as anything in any of the Germanic master's scores . But we are held - simply by the idea of the love - philtre : it's that alone that in- We do not care about the initial amenities of Tristan and ...
Page 43
... musician who gets thrills from the performance of music . You cannot figure to yourself the violinist , as he fiddles the most complicated passage of a concerto , when he really surmounts the 43 The Nature of a Crime.
... musician who gets thrills from the performance of music . You cannot figure to yourself the violinist , as he fiddles the most complicated passage of a concerto , when he really surmounts the 43 The Nature of a Crime.
Common terms and phrases
able action assuredly believe black figures Burden's letter called cheque China tea chloral Collaborator confession course Crime dead dear death debauchery Deity desire doubt dread Edward Burden eternal eyes face fact false position fear feel felt fiancée figure fooling gamble gambler give go mad Heaven knows Hueffer hurried husband ideal imagine JOSEPH CONRAD June will never Kingston live longer looked Lugareño marriage married matter mean ment mind Miss Averies moral mouse nature negation once one's parcel of letters passage passion perhaps poet position predestined prison refuge remember ring Romance Rome round seems Señor Ramon sense sentence silence simply solicitors sort speak stake suffering suppose Sussex talked tell thing thought tion tired Tristan trust utterly verdict voice whole woman wonder words write written young Zola
Popular passages
Page viii - THE MIRROR OF THE SEA THE SECRET AGENT A SET OF SIX UNDER WESTERN EYES A PERSONAL RECORD...
Page 104 - Ramon s great spectacles, the piercing eyes in the mahogany face, while the tap, tap, tap of a cane on the flags went on behind the inner door; the click of the latch; the stream of light. The door, petulantly thrust inwards, struck against some barrels. I remember the rattling of the bolts on that door, and the tall figure that appeared there, snuff-box in hand. In that land of white clothes that precise, ancient, Castilian in black was something to remember.
Page 101 - I suppose our recollections agree. Mine, in their simplest form, are: First Part, yours; Second Part, mainly yours, with a little by me on points of seamanship and suchlike small matters; Third Part, about 60% mine with important touches by you; Fourth Part, mine, with here and there an important sentence by you; Fifth Part practically all yours, including the famous sentence at which we both exclaimed: 'This is Genius...
Page 101 - Conrad's recollections — except for the generosity of his two 'importants' — tally well enough with those of the writer if conception alone is concerned. When it comes however to the writing the truth is that Parts One, Two, Three and Five are a singular mosaic of passages written alternately by one or other of the collaborators.
Page 105 - ... ruffles. The other hand paused in the act of conveying a pinch of snuff to the nostrils of the hooked nose that had, on the skin stretched tight over the bridge, the polish of old ivory; the elbow pressing the black cocked hat against the side; the legs, one bent, the other bowing a little back — this was the attitude of Seraphina's father. Having imperiously thrust the door of the inner room open, he remained immovable, with no intention of entering, and called in a harsh, aged voice: "Senor...
Page 104 - What are these days to me? But that far-off day of my romance when from between the blue and white bales in Don Ramon's darkened store room, at Kingston, I saw the door open before the figure of an old man with the tired, long, white face, that day I am not likely to forget. I remember the chilly smell of the typical West Indian store, the indescribable smell of damp gloom, of locos, of pimento, of olive oil, of new sugar, of...