The Nature of a Crime |
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Page 3
... light and shade- lessness of that noon , last evening , you came from a grove of silver poplars , I looked at you - my you - for a very long while . You had , I think , a parasol behind your head , you moved slowly , you looked up at ...
... light and shade- lessness of that noon , last evening , you came from a grove of silver poplars , I looked at you - my you - for a very long while . You had , I think , a parasol behind your head , you moved slowly , you looked up at ...
Page 19
... light that my lamp casts . But now I will do so . I will let my eyes travel across the bundles of dusty papers on my desk . Do you know I have left them just as they were on the day when you came to ask me to take your railway tickets ...
... light that my lamp casts . But now I will do so . I will let my eyes travel across the bundles of dusty papers on my desk . Do you know I have left them just as they were on the day when you came to ask me to take your railway tickets ...
Page 36
... light , suppose , by the relations of his future wife . I don't know in what light that young man looks upon himself . His time of trial is coming . I Yesterday at eight in the evening he came to see me . I thought at first he wanted ...
... light , suppose , by the relations of his future wife . I don't know in what light that young man looks upon himself . His time of trial is coming . I Yesterday at eight in the evening he came to see me . I thought at first he wanted ...
Page 57
... light . Or , if the deflection be really temperamental , really perma- nent , he will be unable - it being his business to look at the deeper verities- to lie himself out of the matter . He will break , strictly and sharply . Or , if he ...
... light . Or , if the deflection be really temperamental , really perma- nent , he will be unable - it being his business to look at the deeper verities- to lie himself out of the matter . He will break , strictly and sharply . Or , if he ...
Page 67
... - . I was trying to get rid of you . I sat in the moonlight and saw the smacks come home , visible for a minute in the track of the moon and then no more than their lights in the darkness . The fishermen 67 The Nature of a Crime.
... - . I was trying to get rid of you . I sat in the moonlight and saw the smacks come home , visible for a minute in the track of the moon and then no more than their lights in the darkness . The fishermen 67 The Nature of a Crime.
Common terms and phrases
able action assuredly believe black figures Burden's letter called cheque China tea chloral Collaborator confession course Crime dead dear death debauchery Deity desire doubt dread Edward Burden eternal eyes face fact false position fear feel felt fiancée figure fooling gamble gambler give go mad Heaven knows Hueffer hurried husband ideal imagine JOSEPH CONRAD June will never Kingston live longer looked Lugareño marriage married matter mean ment mind Miss Averies moral mouse nature negation once one's parcel of letters passage passion perhaps poet position predestined prison refuge remember ring Romance Rome round seems Señor Ramon sense sentence silence simply solicitors sort speak stake suffering suppose Sussex talked tell thing thought tion tired Tristan trust utterly verdict voice whole woman wonder words write written young Zola
Popular passages
Page viii - THE MIRROR OF THE SEA THE SECRET AGENT A SET OF SIX UNDER WESTERN EYES A PERSONAL RECORD...
Page 104 - Ramon s great spectacles, the piercing eyes in the mahogany face, while the tap, tap, tap of a cane on the flags went on behind the inner door; the click of the latch; the stream of light. The door, petulantly thrust inwards, struck against some barrels. I remember the rattling of the bolts on that door, and the tall figure that appeared there, snuff-box in hand. In that land of white clothes that precise, ancient, Castilian in black was something to remember.
Page 101 - I suppose our recollections agree. Mine, in their simplest form, are: First Part, yours; Second Part, mainly yours, with a little by me on points of seamanship and suchlike small matters; Third Part, about 60% mine with important touches by you; Fourth Part, mine, with here and there an important sentence by you; Fifth Part practically all yours, including the famous sentence at which we both exclaimed: 'This is Genius...
Page 101 - Conrad's recollections — except for the generosity of his two 'importants' — tally well enough with those of the writer if conception alone is concerned. When it comes however to the writing the truth is that Parts One, Two, Three and Five are a singular mosaic of passages written alternately by one or other of the collaborators.
Page 105 - ... ruffles. The other hand paused in the act of conveying a pinch of snuff to the nostrils of the hooked nose that had, on the skin stretched tight over the bridge, the polish of old ivory; the elbow pressing the black cocked hat against the side; the legs, one bent, the other bowing a little back — this was the attitude of Seraphina's father. Having imperiously thrust the door of the inner room open, he remained immovable, with no intention of entering, and called in a harsh, aged voice: "Senor...
Page 104 - What are these days to me? But that far-off day of my romance when from between the blue and white bales in Don Ramon's darkened store room, at Kingston, I saw the door open before the figure of an old man with the tired, long, white face, that day I am not likely to forget. I remember the chilly smell of the typical West Indian store, the indescribable smell of damp gloom, of locos, of pimento, of olive oil, of new sugar, of...