Subject and Object in Renaissance CultureMargreta de Grazia, Maureen Quilligan, Peter Stallybrass This collection of original essays brings together some of the most prominent figures in new historicist and cultural materialist approaches to the early modern period, and offers a new focus on the literature and culture of the Renaissance. Traditionally, Renaissance studies have concentrated on the human subject. The essays collected here bring objects - purses, clothes, tapestries, houses, maps, feathers, communion wafers, tools, pages, skulls - back into view. As a result, the much-vaunted early modern subject ceases to look autonomous and sovereign, but is instead caught up in a vast and uneven world of objects which he and she makes, owns, values, imagines, and represents. This book puts things back into relation with people; in the process, it elicits new critical readings, and new cultural configurations. |
From inside the book
Results 1-5 of 55
Page xiii
... Hopkins University . He is author of Sodometries : Renais- sance Texts , Modern Sexualities ( 1992 ) , Writing Matter : From the Hands of the English Renaissance ( 1990 ) , Voice Terminal xiii Notes on the contributors.
... Hopkins University . He is author of Sodometries : Renais- sance Texts , Modern Sexualities ( 1992 ) , Writing Matter : From the Hands of the English Renaissance ( 1990 ) , Voice Terminal xiii Notes on the contributors.
Page 1
... hand corner , head tilted like the skull beneath it . Even in more typical versions , the omnipresent skull itself serves as a reminder of the common materiality of subject and objects . The viewer too testifies to their attachment ...
... hand corner , head tilted like the skull beneath it . Even in more typical versions , the omnipresent skull itself serves as a reminder of the common materiality of subject and objects . The viewer too testifies to their attachment ...
Page 6
... hands that stood to inherit them in the first place . In such a tight economy , apocalypse is imagined as superflux - a literal spilling over from the top - a shakedown of superfluous things that calls out for a redefinition of need and ...
... hands that stood to inherit them in the first place . In such a tight economy , apocalypse is imagined as superflux - a literal spilling over from the top - a shakedown of superfluous things that calls out for a redefinition of need and ...
Page 7
... hand - tipped illustrations and an inexpensive and portable pocketbook . Editors , intent on reproducing the text as a single author's subjectivity , tend to smooth over material differences between volumes , thereby effacing their ...
... hand - tipped illustrations and an inexpensive and portable pocketbook . Editors , intent on reproducing the text as a single author's subjectivity , tend to smooth over material differences between volumes , thereby effacing their ...
Page 10
... hand clothes in the late sixteenth century to stage transferals of clothing in which the subject was constructed and reconstructed by the garments which he or she wore . Jonathan Goldberg recovers a more personal memory from the ...
... hand clothes in the late sixteenth century to stage transferals of clothing in which the subject was constructed and reconstructed by the garments which he or she wore . Jonathan Goldberg recovers a more personal memory from the ...
Contents
The ideology of superfluous things King Lear as period piece | 17 |
Rude mechanicals | 43 |
Spensers domestic domain poetry property and the Early Modern subject | 83 |
Materializations | 131 |
Gendering the Crown | 133 |
The unauthored 1539 volume in which is printed the Hecatomphile The Flowers of French Poetry and Other Soothing Things | 166 |
Dematerializations textile and textual properties in Ovid Sandys and Spenser | 189 |
Appropriations | 211 |
Unlearning the Aztec cantares preliminaries to a postcolonial history | 260 |
Fetishisms | 287 |
Worn worlds clothes and identity on the Renaissance stage | 289 |
The Countess of Pembrokes literal translation | 321 |
Remnants of the sacred in Early Modern England | 337 |
Objections | 347 |
The insincerity of women | 349 |
Desire is death | 369 |
Other editions - View all
Subject and Object in Renaissance Culture Margreta de Grazia,Maureen Quilligan,Peter Stallybrass No preview available - 1996 |
Common terms and phrases
actors Amoretti Arachne Arachne's argued aristocratic artisans Aztec Behn Behn's Blazon body Cambridge cantares Cantares mexicanos century clothes Clouts Come Home Colin Clouts costumes countess court courtly cultural death desire discourse Early Modern edition Edmund Spenser Elizabeth Elizabethan England English Epithalamion essay European example Faerie Queene female figure Freud gender genre Greenblatt Hecatomphile Henslowe ideology indigenous Ireland John joining King King Lear labor language Lear Lear's literary livery London luxury male Mary Sidney material metaphor Mexica Midsummer Night's Dream Milton Munster plantation mutability Nahuatl object orgasm Oroonoko Ovid painting Petrarch play play's poem poet poetic poetry political reading relation Renaissance rhetoric royal rude mechanicals scene sexual Shakespeare Sidney slave slavery social song sonnet Spenser stage Stephen Greenblatt Stephen Orgel suggests superfluous tapestry theater theatrical Theseus things tion trans translation Velázquez woman women words writing York