AUTHOR'S NOTE

THE last word of this novel was written on the 29th of May 1914. And that last word was the single word of the title.

Those were the times of peace. Now that the moment of publication approaches I have been considering the discretion of altering the title-page. The word Victory, the shining and tragic goal of noble effort, appeared too great, too august, to stand at the head of a mere novel. There was also the possibility of falling under the suspicion of commercial astuteness deceiving the public into the belief that the book had something to do with war.

What

Of that, however, I was not afraid very much. influenced my decision most were the obscure promptings of that pagan residuum of awe and wonder which lurks still at the bottom of our old humanity. Victory was the last word I had written in peace time. It was the last literary thought which had occurred to me before the doors of the Temple of Janus flying open with a crash shook the minds, the hearts, the consciences of men all over the world. Such coincidence could not be treated lightly. And I made up my mind to let the word stand, in the same hopeful spirit in which some simple citizen of Old Rome would have accepted the Omen."

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The second point on which I wish to offer a remark is the existence (in the novel) of a person named Schomberg.

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That I believe him to be true goes without saying. I am not likely to offer pinchbeck wares to my public consciously. Schomberg is an old member of my company. A very subordinate personage in Lord Jim as far back as the year 1899, he became notably active in a certain short story of mine published in 1902. Here he appears in a still larger part, true to life (I hope), but also true to himself. Only, in this instance, his deeper passions come into play, and thus his grotesque psychology is completed at last.

I don't pretend to say that this is the entire Teutonic psychology; but it is indubitably the psychology of a Teuton. My object in mentioning him here is to bring out the fact that, far from being the incarnation of recent animosities, he is the creature of my old, deep-seated and, as it were, impartial conviction.

J. C.

T

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VICTORY

PART I

I

`HERE is, as every schoolboy knows in this scientific age, a very close chemical relation between coal and diamonds. It is the reason, I believe, why some people allude to coal as 'black diamonds.' Both these commodities represent wealth; but coal is a much less portable form of property. There is, from that point of view, a deplorable lack of concentration in coal. Now, if a coalmine could be put into one's waistcoat pocket-but it can't! At the same time, there is a fascination in coal, the supreme commodity of the age in which we are camped like bewildered travellers in a garish, unrestful hotel. And I suppose those two considerations, the practical and the mystical, prevented Heyst-Axel Heyst-from going away.

The Tropical Belt Coal Company went into liquidation. The world of finance is a mysterious world in which, incredible as the fact may appear, evaporation precedes liquidation. First the capital evaporates, and then the company goes into liquidation. These are very unnatural physics, but they account for the persistent inertia of Heyst, at which we out there" used to laugh among ourselves—but not inimically. An inert body can do no harm to any one, provokes no hostility, is scarcely worth derision. It may, indeed, be in the way sometimes; but this could not be said of Axel Heyst. He was out of everybody's way, as if he were perched on the highest peak of the Himalayas, and in a sense as conspicuous. Every one in that part of the world knew of him, dwelling on his little

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island. An island is but the top of a mountain. Axel Heyst, perched on it immovably, was surrounded, instead of the imponderable stormy and transparent ocean of air merging into infinity, by a tepid, shallow sea; a passionless offshoot of the great waters which embrace the conti nents of this globe. His most frequent visitors were shadows, the shadows of clouds, relieving the monotony of the inanimate, brooding sunshine of the tropics. His nearest neighbour-I am speaking now of things showing some sort of animation-was an indolent volcano which smoked faintly all day with its head just above the northern horizon, and at night levelled at him, from amongst the clear stars, a dull red glow, expanding and collapsing spasmodically like the end of a gigantic cigar puffed at intermittently in the dark. Axel Heyst was also a smoker; and when he lounged out on his veranda with his cheroot, the last thing before going to bed, he made in the night the same sort of glow and of the same size as that other one so many miles away.

In a sense, the volcano was company to him in the shades of the night-which were often too thick, one would think, to let a breath of air through. There was seldom enough wind to blow a feather along. On most evenings of the year Heyst could have sat outside with a naked candle to read one of the books left him by his late father. It was not a mean store. But he never did that. Afraid of mosquitoes, very likely. Neither was he ever tempted by the silence to address any casual remarks to the companion glow of the volcano. He was not mad. Queer chap—yes, that may have been said, and in fact was said; but there is a tremendous difference between the two, you will allow. On the nights of full moon the silence around Samburan -the Round Island" of the charts-was dazzling; and in the flood of cold light Heyst could see his immediate surroundings, which had the aspect of an abandoned settlement invaded by the jungle: vague roofs above low vegetation, broken shadows of bamboo fences in the sheen of long grass, something like an overgrown bit of road slanting among ragged thickets toward the shore only a couple of hundred yards away, with a black jetty and a

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