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voice that issued from his shattered body was awfully measured, hollow, and profound.
"You live!” he uttered slowly, turning his eyes full upon my face, and, as if perceiving for the first time in me the appearance of a living man. "Ha! You English walk the earth unscathed."
A feeling of pity came to me—a pity distinct from the harrowing sensations of his miserable end. He had been evil in the obscurity of his life, as there are plants growing harmful and deadly in the shade, drawing poison from the dank soil on which they flourish. He was as unconscious of his evil as they—but he had a man's right to my pity.
"I am b—roken," he stammered out. Seraphina kept on moistening his lips.
"Repent, Manuel," she entreated fervently. "We have forgiven thee the evil done to us. Repent of thy crimes—poor man."
"Your voice, senorita. What? You! You yourself bringing this blessing to my lips! In your childhood I had cried 'viva' many times before your coach. And now you deign—in your voice—with your hand. Ha! I could improvise--The star stoops to the crushed worm. ..."
A rising clatter of rolling stones mingled from afar with the broken moanings of his voice. Looking over my shoulder, I saw one peon beginning the descent of the slope, and, higher up, motionless between the heads of two horses, the head of another man—with the purple tint of an enlarged sky beyond, reflecting the glow of an invisible sun setting into the sea.
Manuel cried out piercingly, and we shuddered. Seraphina shrank close to my side, hiding her head on my breast. The peon staggered awkwardly down the slope, descending sideways in small steps, embarrassed by the enormous rowels of his spurs. He had a striped serape over his shoulder, and grasped a broad-bladed machete in his right hand. His stumbling, cautious feet sent into the ravine a crashing sound, as though we were to be buried under a stream of stones.
"Vuestra senoria," gasped Manuel. "I shall be silent. Pity me! Do not—do not withdraw your hand from my extreme
I felt she had to summon all her courage to look at him agaia She disengaged herself, resolutely, from my enfolding arms.
"No, no; unfortunate man," she said, in a benumbed voice. “ Think of thy end."
"A crushed worm, senorita," he mumbled.
The peon, having reached the bottom of the slope, became lost to view amongst the bushes and the great fragments of rocks below. Every sound in the ravine was hushed; and the darkening sky seemed to cast the shadow of an everlasting night into the eyes of the dying man.
Then the peon came out, pushing through, in a great swish of parted bushes. His spurs jingled at every step, his footfalls crunched heavily on the pebbles. He stopped, as if transfixed, muttering his astonishment to himself, but asking no questions. He was a young man with a thin black mustache twisted gallantly to two little points. He looked up at the sheer wall of the precipice; he looked down at the group we formed at his feet. Suddenly, as if returning from an abyss of pain, Manuel declared distinctly:
"I feel in me a greatness, an inspiration. ..."
These were his last words. The heavy dark lashes descended slowly upon the faint gleam of the eyeballs, like a lowered curtain. The deep folds of the ravine gathered the falling dusk into great pools of absolute blackness, at the foot of the crags.
Rising high above our littleness, that watched, fascinated, the struggle of lights and shadows over the soul entangled in the wreck of a man's body, the rocks had a monumental indifference. And between their great, stony faces, turning pale in the gloom, with the amazed peon as if standing guard, machete in hand, Manuel's greatness and his inspiration passed away without as much as an exhaled sigh. I did not even know that he had ceased to breathe, till Seraphina rose from her knees with a low cry, and flung far away from her, nervously, the strip of cloth upon which his parted lips had refused to close.
My arms were ready to receive her. "Ah! At last!" she cried. There was something resentful and fierce in that cry, as though the pity of her woman's heart had been put to too cruel a testa
I, too, had been humane to that man. I had had his life on the end of my pistol, and had spared him from an impulse that had done nothing but withhold from him the mercy of a speedy death. This had been my pity.
But it was Seraphina's cry—this "At last," showing the stress and pain of the ordeal—that shook my faith in my conduct. It had brought upon our heads a retribution of mental and bodily anguish, like a criminal weakness. I was young, and my belief in the justice of life had received a shock. If it were impossible to foretell the consequences of our acts, if there was no safety in the motives within ourselves, what remained for our guidance ?
And the inscrutable immobility of towering forms, steeped in the shadows of the chasm, appeared pregnant with a dreadful wisdom. It seemed to me that I would never have the courage to lift my hand, open my lips, make a step, obey a thought. A long sun-ray shot to the zenith from the beclouded west, crossing obliquely in a faint red bar the purple band of sky above the ravine.
The young vaquero had taken off his hat before the might of death, and made a perfunctory sign of the cross. He looked up and down the lofty wall, as if it could give him the word of that riddle. Twice his spurs clashed softly, and, with one hand grasping the rope, he stooped low in the twilight over the body.
"We looked for this Lugareno," he said, replacing his hat on his head carelessly. "He was a mad singer, and I saw him once kill one of us very swiftly. They used to call him in jest, El Demonio. Ah! But you ... But you. ..."
His wonder overcame him. His bewildered eyes glimmered, staring at us in the deepening dusk.
"Speak, hombre," he cried. "Who are you and who is she? Whence came you? Where are you going with this woman? ..."
NOT a soul stirred in the one long street of the negro
village. The yellow crescent of the diminished moon
swam low in the pearly light of the dawn; and the bamboo walls of huts, thatched with palm leaves, glistened here and there through the great leaves of bananas. All that night we had been moving on and on, slowly crossing clear savannas, in which nothing stirred beside ourselves but the escort of our own shadows, or plunging through dense patches of forest of an obscurity so impenetrable that the very forms of our rescuers became lost to us, though we heard their low voices and felt their hands steadying us in our saddles. Then our horses paced softly on the dust of a road, while athwart an avenue of orange trees whose foliage seemed as black as coal, the blind walls of the hacienda shone dead white like a vision of mists. A Brazilian aloe flowered by the side of the gate; we drooped in our saddles; and the heavy knocks against the wooden portal seemed to go on without cause, and stop without reason, like a sound heard in a dream. We entered Seraphina's hacienda. The high walls inclosed a square court deep as the yard of a prison, with flat-roofed buildings all around. It rang with many voices suddenly. Every moment the daylight increased; young negresses in loose gowns ran here and there, cackling like chased hens, and a fat woman waddled out from under the shadow of a veranda.
She was Seraphina's old nurse. She was scolding volubly, and suddenly she shrieked, as though she had been stabbed. Then all was still for a long time. Sitting high on the back of my patient mount, with my fingers twisted in the mane, I saw in a throng of woolly heads and bright garments Seraphina's pale face. An increasing murmur of sobs and endearing names mounted up to me. Her hair hung down, her eyes seemed immense; these people were carrying her off—and a man with a careworn, bilious face and a straight, gray beard, neatly clipped on the edges, stood at the head of my horse, blinking with astonishment.
The fat woman reappeared, rolling painfully along the veranda.
"Enrico! It is her lover! Oh! my treasure, my lamb, my precious child. Do you hear, Enrico? Her lover! Oh! the poor darling of my heart."
She appeared to be giggling and weeping at the same time. The sky above the yard brightened all at once, as if the sun had emerged with a leap from the distant waters of the Atlantic. She waved her short arms at me over the railing, then plunged her dark fingers in the shock of iron-gray hair gathered on the top of her head. She turned away abruptly, a yellow headkerchief dodged in her way, a slap resounded, a cry of pain, and a negro girl bolted into the court, nursing her cheek in the palms of her hands. Doors slammed; other negro girls ran out of the veranda dismayed, and took cover in various directions.
I swayed to and fro in the saddle, but faithful to the plan of our escape, I tried to make clear my desire that these peons should be sworn to secrecy immediately. Meantime, somebody was trying to disengage my feet from the stirrups.
“ Certainly. It is as your worship wishes."
The careworn man at the head of my horse was utterly in the dark.
"Attention!" he shouted. “ Catch hold, hombres. Carry the caballero."
What caballero? A rosy flush tinged a boundless expanse above my face, and then came a sudden contraction of space and dusk. There were big earthenware jars ranged in a row on the floor, and the two vaqueros stood bareheaded, stretching their arms over me towards a black crucifix on a wall, taking their oaths, while I rested on my back. A white beard hovered about my face, a voice said, “It is done," then called anxiously twice, “Senor! Senor!" and when I had escaped from the dream of a cavern, I found myself with my head pillowed on a fat woman's breast, and drinking chicken broth out of a basin held to my lips. Her large cheeks quivered, she had black twinkling eyes and slight mustaches at the corners of her lips. But where was her white beard? And why did she talk of an angel, as if she were Manuel ?