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denly unsheathed his portentous sword, and, hanging his great hat upon his maimed arm, stalked, a pathetic and sinister figure of grief, down the great steps. I followed him in the vivid and extraordinary compulsion of the sinister body that, like one fabulous and enormous monster, swayed impenetrably after me.
My heart beat till my head was in a tumultuous whirl, when thus, at last, I stepped out of that house—but I suppose my grim robes cloaked my emotions—though, seeing very clearly through the eyeholes, it was almost incredible to me that I was not myself seen. But these Brothers of Pity were a secret society, known to no man except their spiritual head, who chose them in turn, and not knowing even each other. Their good deeds of charity were, in that way, done by pure stealth. And it happened that their spiritual director was the Father Antonio himself. At the foot of the palace steps, drawn back out of our way, stood the great glass coach of state, containing, even then, the woman who was all the world to me, invisible to me, unattainable to me, not to be comforted by me, even as her great griefs were to me invisible and unassi ageable. And there between us, in the great coffin, held on high by the grim, shadowy beings, was all that she loved, invisible, unattainable, too, and beyond all human comfort. Standing there, in the midst of the whispering, bare-headed, kneeling, and villainous crowd, I had a vivid vision of her pale, dim, pitiful face. Ah, poor thing! she was going away for good from all that state, from all that seclusion, from all that peace, mutely, and with a noble pride of quietness, into a world of dangers, with no head but mine to think for her, no arm but mine to ward off all the great terrors, the immense and dangerous weight of a new world.
In the twinkle of innumerable candles, the priceless harness of the white mules, waiting to draw the great coach after us, shone like streaks of ore in an infinitely rich silver mine. A double line of tapers kept the road to the cathedral, and a crowd of our negroes, the bell muzzles of their guns suggested in the twinkling light, massed themselves round the coach. Outside the lines were the crowd of rapscallions in red jackets, their women and children all the population of the Aldea Bajo, groaning. The whole crowd got into motion round us, the white mules plunging frantically, the coach swaying. Ahead of me marched the sardanic, gallantly grotesque figure of true Tomas, his sword point up, his motions always jaunty. Ahead of him, again, were the white robes of
many priests, a cluster of tall candles, a great jeweled cross, and a tall saint's figure swaying, more than shoulder high, and disappearing up above into the darkness. For me, under my cowl, it was suffocatingly hot; but I seemed to move forward, following, swept along without any volition of my own. It appeared an immensely long journey; and then, as we went at last up the cathedral steps, a voice cried harshly, "Death to the heretic !" My heart stood still. I clutched frantically at the handle of a pistol that I could not disengage from folds of black cloth. But, as a matter of fact, the cry was purely a general one; I was supposed to be shut up in the palace still.
The sudden glow, the hush, the warm breath of incense, and the blaze of light turned me suddenly faint; my ears buzzed, and I heard strange sounds.
The cathedral was a mass of heads. Everyone in Rio Medio was present, or came trooping in behind us. The better class was clustered near the blaze of gilding, mottled marble, wax flowers, and black and purple drapery that vaulted over the two black coffins in the choir. Down in the unlit body of the church the riffraff of O'Brien kept the doors.
I followed the silent figure of Tomas Castro to the bishop's own stall, right up in the choir, and we became hidden from the rest by the forest of candles round the catafalque. Up the center of the great church, and high over the heads of the kneeling people, came the great coffin, swaying, its bearers robbed of half their grimness by the blaze of lights. Tomas Castro suddenly caught at my sleeve whilst they were letting the coffin down on to the bier. He drew me unnoticed into the shadow behind the bishop's stall. In the swift transit, I had a momentary glance of a small, black figure, infinitely tiny in that quiet place, and infinitely solitary, veiled in black from head to foot, coming alone up the center of the nave.
I stood hidden there beside the bishop's stall for a long time, and then suddenly I saw the black figure alone in the gallery, looking down upon me—from the loggia of the Riegos. I felt suddenly an immense calm; she was looking at me with unseeing eyes, but I knew and felt that she would follow me now to the end of the world. I had no more any doubts as to the issue of our enterprise; it was open to no unsuccess with a figure so steadfast engaged in it; it was impossible that blind fate should be insensible to her charm, impossible that any man could strike at or thwart her.
Monks began to sing; a great brass instrument grunted lamentably; in the body of the building there was silence. The bishop and his supporters moved about, as if aimlessly, in front of the altar; the chains of the gold censors clicked ceaselessly. Seraphina's head had sunk forward out of my sight. All the heads of the cathedral bowed down, and suddenly, from round the side of the stall, a hand touched mine, and a voice said, “ It is time." Very softly, as if it were part of the rite, I was drawn round the stall through a door in the side of the screen. As we went out, in his turnings, the old bishop gave us the benediction. Then the door closed on the glory of his robes, and in a minute, in the darkness we were rustling down a circular narrow staircase into the dimness of a crypt, lit by the little blue flame of an oil lamp. From above came sounds like thunder, immense, vibrating; we were immediately under the choir. Through the cracks round a large stone showed a parallelogram of light.
In the dimness I had a glimpse of the face of my conductor—a thin, wonderfully hollow-checked lay brother. He began, with great gentleness, to assist me out of my black robes, and then he said:
The senorita will be here very soon with the Senor Tomas," and then added, with an infinitely sad and tender, dim smile:
"Will not the Senor Caballero, if it is not repugnant, say a prayer for the repose of ..." He pointed gently upwards to the great flagstone above which was the coffin of Don Balthasar and Carlos. The priest himself was one of those very holy, very touching—perhaps, very stupid—men that one finds in such places. With his dim, wistful face he is very present in my memory. He added: "And that the good God of us all may keep it in the Senor Caballero's heart to care well for the soul of the dear senorita."
"I am a very old man," he whispered, after a pause.
indeed an old man, quite worn out, quite without hope on earth. "I have loved the senorita since she was a child. The Senor Caballero takes her from us. I would have him pray—to be made worthy."
Whilst I was doing it, the place began to be alive with whispers of garments, of hushed footsteps, a small exclamation in a gruff voice. Then the stone above moved out of its place, and a blaze of light fell down from the choir above.
I saw beside me Seraphina's face, brilliantly lit, looking upwards. Tomas Castro said:
Come quickly . . . come quickly . . the prayers are ending; there will be people in the street." And from above an enormous voice intoned: "Tu . . u .. ba mi . . i i.. irum
And the serpent groaned discordantly. The end of a great box covered with black velvet glided forward above our heads; ropes were fastened round it. The priest had opened a door in the shadowy distance, beside a white marble tablet in the thick walls. The coffin
above moved forward a little again; the ropes were readjusted with a rattling, wooden sound. A dry, formal voice intoned from above: Erit . . justus
justus . . Ab... auditione From the open door the priest rattled his keys, and said, “Come come," impatiently.
I was horribly afraid that Seraphina would shriek or faint, or refuse to move. There was very little time. The pirates might stream out of the front of the cathedral as we came from the back; the bishop had promised to accentuate the length of the service, But Seraphina glided towards the open door; a breath of fresh air reached us. She looked back once. The coffin was swinging right over the hole, shutting out the light. Tomas Castro took her hand and said, Come . . . come,
," with infinite tenderness. He had been sobbing convulsively. We went up some steps, and the door shut behind us with a sound like a sigh of relief.
We went very fast, in perfect blackness and solitude, on the deserted beach between the old town and the village. Every soul was near the cathedral. A boat lay half afloat. To the left in the distance the light of the schooner opposite the Casa Riego wavered on the still water.