Graphic Worlds of Peter Bruegel the ElderRenowned for his effervescent and rollicking paintings of Flemish life, Peter Bruegel the Elder also holds a place among the world's finest engraving designers. This collection contains 64 of his engravings plus a woodcut, arranged in two parts. The first depicts the outer world of nature and man, including landscapes, ships and the sea, and memorable portraits of sixteenth-century Flanders citizens, from aristocrats and burghers to villagers and peasants. The second part envisions the inner worlds of imagination, morality, and religion with scenes from the Gospels and Apocrypha. In addition, the book offers cogent and stimulating commentaries by H. Arthur Klein that provide details of Bruegel's life and influences as well as his techniques. Many of these prints served as models for subsequent Bruegel canvases, and each image is accompanied by an essay that places it within its historical context. A unique survey of the best and most magical work of one of history's greatest printmakers, this volume offers a prized addition to the collections of all connoisseurs, especially those interested in the art of engraving. |
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Page 4
We do know , however , that many of the masterpieces painted by Bruegel during
his concluding nine years of life in Antwerp Approximately three times as many
authentic Bruegel print subjects as paintings are known today . Sixty - four are ...
We do know , however , that many of the masterpieces painted by Bruegel during
his concluding nine years of life in Antwerp Approximately three times as many
authentic Bruegel print subjects as paintings are known today . Sixty - four are ...
Page 11
... for a religious picture was one thing ; but quite another was concentrating on a
vista or panorama as a subject in and for ... signs of humanity or security — these
existed , unfortunately , but they were not suitable subjects either for enjoyment ...
... for a religious picture was one thing ; but quite another was concentrating on a
vista or panorama as a subject in and for ... signs of humanity or security — these
existed , unfortunately , but they were not suitable subjects either for enjoyment ...
Page 183
Obviously , then , the subject was not new . ... It differs from the order of the same
subjects in the Bastelaer catalog . ... Avarice , ” which dates from 1956 , the very
year in which Bruegel began his design of satirical and moralizing subjects .
Obviously , then , the subject was not new . ... It differs from the order of the same
subjects in the Bastelaer catalog . ... Avarice , ” which dates from 1956 , the very
year in which Bruegel began his design of satirical and moralizing subjects .
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Contents
with Arion | 78 |
Preliminary Comments | 93 |
THE WORLD OF STATELY SHIPS AND THE | 135 |
Copyright | |
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Angeles animal appears artist background Barnouw bears birds boat body Bruegel called carries century church Cock collection complete concerned corner cross dated death demon detail effect elements English engraving face fact Fall farther figure fish Flemish four Galle galley graphic hand head holds hope human identified illustrations important indicate Italy James Jerome Jesus known landscape later Latin light looking lower lower left master means mentioned monster mountain Museum nature original drawing painting peasant perhaps Peter picture Plate play points possibly present probably projects publisher referred regarded represented reproduced sails Saint scene scholar seek seems seen seven ship shows side similar Sins sort stands subjects suggested symbol Tolnay Translation tree turned upper vessels Virtues woman