Graphic Worlds of Peter Bruegel the ElderRenowned for his effervescent and rollicking paintings of Flemish life, Peter Bruegel the Elder also holds a place among the world's finest engraving designers. This collection contains 64 of his engravings plus a woodcut, arranged in two parts. The first depicts the outer world of nature and man, including landscapes, ships and the sea, and memorable portraits of sixteenth-century Flanders citizens, from aristocrats and burghers to villagers and peasants. The second part envisions the inner worlds of imagination, morality, and religion with scenes from the Gospels and Apocrypha. In addition, the book offers cogent and stimulating commentaries by H. Arthur Klein that provide details of Bruegel's life and influences as well as his techniques. Many of these prints served as models for subsequent Bruegel canvases, and each image is accompanied by an essay that places it within its historical context. A unique survey of the best and most magical work of one of history's greatest printmakers, this volume offers a prized addition to the collections of all connoisseurs, especially those interested in the art of engraving. |
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Page 73
Here three men of war ride at anchor near one of the fortresses built in the water ,
with which Bruegel seems to have been familiar both in the Lowlands and from
his Italian travels . ( He painted one in the “ View of Naples ” referred to ...
Here three men of war ride at anchor near one of the fortresses built in the water ,
with which Bruegel seems to have been familiar both in the Lowlands and from
his Italian travels . ( He painted one in the “ View of Naples ” referred to ...
Page 111
( It seems an alarming hazard to wandering animals and bystanders . ) Activities
in the ... The object , it would seem , It seems most probable that a Bruegel
drawing was the direct ancestor — whether once or twice removed — of this
engraving .
( It seems an alarming hazard to wandering animals and bystanders . ) Activities
in the ... The object , it would seem , It seems most probable that a Bruegel
drawing was the direct ancestor — whether once or twice removed — of this
engraving .
Page 180
seems better able to unfold the richness and validity of Bruegel ' s Sin subjects .
This interpretation is identified with two of the foremost contemporary Bruegel
scholars : Fritz Grossmann in England , and Carl Gustav Stridbeck in Sweden .
seems better able to unfold the richness and validity of Bruegel ' s Sin subjects .
This interpretation is identified with two of the foremost contemporary Bruegel
scholars : Fritz Grossmann in England , and Carl Gustav Stridbeck in Sweden .
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Contents
with Arion | 78 |
Preliminary Comments | 93 |
THE WORLD OF STATELY SHIPS AND THE | 135 |
Copyright | |
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Angeles animal appears artist background Barnouw bears birds boat body Bruegel called carries century church Cock collection complete concerned corner cross dated death demon detail effect elements English engraving face fact Fall farther figure fish Flemish four Galle galley graphic hand head holds hope human identified illustrations important indicate Italy James Jerome Jesus known landscape later Latin light looking lower lower left master means mentioned monster mountain Museum nature original drawing painting peasant perhaps Peter picture Plate play points possibly present probably projects publisher referred regarded represented reproduced sails Saint scene scholar seek seems seen seven ship shows side similar Sins sort stands subjects suggested symbol Tolnay Translation tree turned upper vessels Virtues woman