Graphic Worlds of Peter Bruegel the ElderRenowned for his effervescent and rollicking paintings of Flemish life, Peter Bruegel the Elder also holds a place among the world's finest engraving designers. This collection contains 64 of his engravings plus a woodcut, arranged in two parts. The first depicts the outer world of nature and man, including landscapes, ships and the sea, and memorable portraits of sixteenth-century Flanders citizens, from aristocrats and burghers to villagers and peasants. The second part envisions the inner worlds of imagination, morality, and religion with scenes from the Gospels and Apocrypha. In addition, the book offers cogent and stimulating commentaries by H. Arthur Klein that provide details of Bruegel's life and influences as well as his techniques. Many of these prints served as models for subsequent Bruegel canvases, and each image is accompanied by an essay that places it within its historical context. A unique survey of the best and most magical work of one of history's greatest printmakers, this volume offers a prized addition to the collections of all connoisseurs, especially those interested in the art of engraving. |
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Page xv
... known , readers may wish to consult it either by looking up the reproduction among the plates in the Münz volume or — if they have the good fortune by visiting the museum or collection where it is on display . Finally , in the ...
... known , readers may wish to consult it either by looking up the reproduction among the plates in the Münz volume or — if they have the good fortune by visiting the museum or collection where it is on display . Finally , in the ...
Page 54
... known as " Roadstead of Antwerp " ( Seilern collection , London ; some scholars now consider this a late work ) . Stormy , surging waves fill the lower two thirds of the sheet . Whipped by a wind from the left , the waves are white ...
... known as " Roadstead of Antwerp " ( Seilern collection , London ; some scholars now consider this a late work ) . Stormy , surging waves fill the lower two thirds of the sheet . Whipped by a wind from the left , the waves are white ...
Page 119
... known woodcut - not an engraving - after a Bruegel original . The date 1566 and the name " Bruegel ” are on the lower right - hand corner of the print . The woodcutter is not known , nor does any corresponding drawing survive . The ...
... known woodcut - not an engraving - after a Bruegel original . The date 1566 and the name " Bruegel ” are on the lower right - hand corner of the print . The woodcutter is not known , nor does any corresponding drawing survive . The ...
Contents
INTRODUCTION | 81 |
OUTER WORLDSNATURE AND | 90 |
Village amid Woods | 96 |
Copyright | |
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Adriaan Barnouw Angeles Antwerp appears artist Avarice bagpipe Bastelaer bird boat Bosch Boymans Museum Bruegel originals Bruegel prints Bruegel the Elder Bruegel's death Brussels carrack castle century church Clothbound Coornhert corner dated demon Ebria Feinblatt Elck English Engraved by vdH face farther fish Flemish Flemish verse foreground Fritz Grossmann galleon galley Gluttony Golden Legend graphic grisaille hand head Hell Heyden human identified illustrations Jake Zeitlin Jerome Bosch Jerome Cock Jesus Kunsthistorisches Museum landscape Latin caption Lechery looking lower left lower right Malleghem mast monster Mopsus naked Netherlands original drawing painting Paperbound peasant Peter Bruegel Philippe Galle picture Plate PRELIMINARY COMMENTS probably publisher reproduced by permission sails Saint scene scholar seeking seems seen Seven Deadly Sins seven Sins Seven Virtues ship sinners stands stone Stridbeck subjects suggested surviving symbol Tolnay Translation of Latin tree vessels vice Vienna Virtues woman