Graphic Worlds of Peter Bruegel the ElderRenowned for his effervescent and rollicking paintings of Flemish life, Peter Bruegel the Elder also holds a place among the world's finest engraving designers. This collection contains 64 of his engravings plus a woodcut, arranged in two parts. The first depicts the outer world of nature and man, including landscapes, ships and the sea, and memorable portraits of sixteenth-century Flanders citizens, from aristocrats and burghers to villagers and peasants. The second part envisions the inner worlds of imagination, morality, and religion with scenes from the Gospels and Apocrypha. In addition, the book offers cogent and stimulating commentaries by H. Arthur Klein that provide details of Bruegel's life and influences as well as his techniques. Many of these prints served as models for subsequent Bruegel canvases, and each image is accompanied by an essay that places it within its historical context. A unique survey of the best and most magical work of one of history's greatest printmakers, this volume offers a prized addition to the collections of all connoisseurs, especially those interested in the art of engraving. |
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Results 1-3 of 55
Page 35
In the telltale right - hand corner , again beside a near - at - hand tall tree , sits a
rustic , concerned with beating his scythe blade straight on an anvil . His face is
barely visible under his hat . A little to the left stands another man , his back
turned ...
In the telltale right - hand corner , again beside a near - at - hand tall tree , sits a
rustic , concerned with beating his scythe blade straight on an anvil . His face is
barely visible under his hat . A little to the left stands another man , his back
turned ...
Page 288
Tragedy goes hand in hand with gross crudity , awfulness with It does not seem
likely that print purchasers in Bruegel ' s day were severely shocked or
depressed by such presentations of the " shape of things to come ” as this
engraving offers ...
Tragedy goes hand in hand with gross crudity , awfulness with It does not seem
likely that print purchasers in Bruegel ' s day were severely shocked or
depressed by such presentations of the " shape of things to come ” as this
engraving offers ...
Page 288
Tragedy goes hand in hand with gross crudity, awfulness with Plate 64— The
Last Judgment awkwardness. And even the theology of final things, eschatology,
is not far distant from scatology. It does not seem likely that print purchasers in ...
Tragedy goes hand in hand with gross crudity, awfulness with Plate 64— The
Last Judgment awkwardness. And even the theology of final things, eschatology,
is not far distant from scatology. It does not seem likely that print purchasers in ...
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Contents
with Arion | 78 |
Preliminary Comments | 93 |
THE WORLD OF STATELY SHIPS AND THE | 135 |
Copyright | |
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Angeles animal appears artist background Barnouw bears birds boat body Bruegel called carries century church Cock collection complete concerned corner cross dated death demon detail effect elements English engraving face fact Fall farther figure fish Flemish four Galle galley graphic hand head holds hope human identified illustrations important indicate Italy James Jerome Jesus known landscape later Latin light looking lower lower left master means mentioned monster mountain Museum nature original drawing painting peasant perhaps Peter picture Plate play points possibly present probably projects publisher referred regarded represented reproduced sails Saint scene scholar seek seems seen seven ship shows side similar Sins sort stands subjects suggested symbol Tolnay Translation tree turned upper vessels Virtues woman