Graphic Worlds of Peter Bruegel the ElderRenowned for his effervescent and rollicking paintings of Flemish life, Peter Bruegel the Elder also holds a place among the world's finest engraving designers. This collection contains 64 of his engravings plus a woodcut, arranged in two parts. The first depicts the outer world of nature and man, including landscapes, ships and the sea, and memorable portraits of sixteenth-century Flanders citizens, from aristocrats and burghers to villagers and peasants. The second part envisions the inner worlds of imagination, morality, and religion with scenes from the Gospels and Apocrypha. In addition, the book offers cogent and stimulating commentaries by H. Arthur Klein that provide details of Bruegel's life and influences as well as his techniques. Many of these prints served as models for subsequent Bruegel canvases, and each image is accompanied by an essay that places it within its historical context. A unique survey of the best and most magical work of one of history's greatest printmakers, this volume offers a prized addition to the collections of all connoisseurs, especially those interested in the art of engraving. |
From inside the book
Results 1-3 of 41
Page 52
According to Van Loon ( Ships , 1935 ) , “ When old Pieter Brueghel engraved his
famous series of contemporary vessels early in the 16th century , he got rid of all
difficulties by calling his subjects simply carracks or galleons ' . ” Of course ...
According to Van Loon ( Ships , 1935 ) , “ When old Pieter Brueghel engraved his
famous series of contemporary vessels early in the 16th century , he got rid of all
difficulties by calling his subjects simply carracks or galleons ' . ” Of course ...
Page 183
Nowhere has the central position of the Seven Sins in conventional ecclesiastical
thought of bygone centuries been more amply elaborated than in this , one of
Chaucer ' s most consummate “ spoofs . ” He wrote more than a century and a
half ...
Nowhere has the central position of the Seven Sins in conventional ecclesiastical
thought of bygone centuries been more amply elaborated than in this , one of
Chaucer ' s most consummate “ spoofs . ” He wrote more than a century and a
half ...
Page 249
Somehow , to that work , which may stem from as late as the fourth century , a
second part from about the second century came to be attached ; it is this part ,
known sometimes as “ The Descent into Hell , ” or again as “ The Harrowing of
Hell ...
Somehow , to that work , which may stem from as late as the fourth century , a
second part from about the second century came to be attached ; it is this part ,
known sometimes as “ The Descent into Hell , ” or again as “ The Harrowing of
Hell ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
with Arion | 78 |
Preliminary Comments | 93 |
THE WORLD OF STATELY SHIPS AND THE | 135 |
Copyright | |
11 other sections not shown
Other editions - View all
Common terms and phrases
Angeles animal appears artist background Barnouw bears birds boat body Bruegel called carries century church Cock collection complete concerned corner cross dated death demon detail effect elements English engraving face fact Fall farther figure fish Flemish four Galle galley graphic hand head holds hope human identified illustrations important indicate Italy James Jerome Jesus known landscape later Latin light looking lower lower left master means mentioned monster mountain Museum nature original drawing painting peasant perhaps Peter picture Plate play points possibly present probably projects publisher referred regarded represented reproduced sails Saint scene scholar seek seems seen seven ship shows side similar Sins sort stands subjects suggested symbol Tolnay Translation tree turned upper vessels Virtues woman