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learning began with the introduction of Christianity, and continued to improve even during many wars and devastations; the nation having preserved its integrity, notwithstanding all its misfortunes and revolutions. We have recorded these vicissitudes. It is astonishing that he should have compiled such an indifferent dictionary.

ON METRE1.

The word 'metre' (or measure), as applied to a verse, signifies the way in which it is divided or measured.

IAMBIC METRE.

When the iambus prevails in the verse, the metre is called iambic.

The iambic metre is sometimes found in verses of four or six, but is chiefly used in those of eight or ten, syllables. The following iambic lines are made up of eight syllables (or four feet):

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'Why hast thou thus | from child hood's hour
Fixed hope on things | which soon | decay?
Why hast thou loved a tree or flower,

Untaught that such | must fade | away?

This form is most frequently used in shorter pieces, such as ballads, songs, &c.

When the iambic line consists of ten syllables, the verse is called heroic. This form is used in the dialogue of tragedy and comedy, and in epic poems. It is seldom, however, found pure; but

1 From the Greek μérpov (metron), a measure.

frequently admits trochees, and sometimes even dactyls and anapæsts, particularly in the uneven places, viz., the first, third, &c., feet of the line. The following are examples:

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1. Cromwell,1 | I did | not think | to shed | a tear

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2. In all | my miseries; | but thou | hast forced | me 3. Out of | thine hon est truth, | to play | the woman. 4. Let's dry our eyes; and thus far hear me, Cromwell; 5. And, when | I am forgotten, as I shall | be,

6. And sleep in dull | cold marble, where | no mention 7. Of me more must be heard | of, say | I taught | thee, &c.

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1. Now came still Ev'|ning on,

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and Twilight gray 2. Had in her so ber liv'ry all things clad.

3. Silence | accompanied; I for beast and bird,
4. They to their gras sy couch, | these to | their nests,
5. Were slunk; all but the wake ful night ingale;
6. She all night long | her amorous des cant sung:
7. Silence was pleased. | Now glowed | the firmament
8. With living sapphires. Hesperus, that led
9. The star ry host, | rode brightest, till | the moon,
10. Rising in cloud ed majesty, | at length,
11. Apparent queen | unveiled | her peer less light,
12. And o'er the dark | her silver mantle threw.

Occasionally, an iambic line of six feet (or twelve syllables), called an Alexandrine, is introduced in heroic verse. This is done to produce a particular effect, or to give an imposing cadence to a stanza:

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Thy realms | for ever last, | thy own | Messilah reigns.'

A needless Alexandrine ends the song,

That like a wounded snake | drags its | slow length | along.'

1 The words in italic are trochees.

2 At the end of the line a redundant unaccented syllable is frequently found.

Another form of iambic verse consists of seven feet (or fourteen syllables). This was employed with great effect by Chapman in his translation of Homer's Iliad.' The following is a specimen :

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From his bright helm | and shield | did burn | a most |

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unwea ried fire,

Like rich Autumnus' golden lamp, whose brightness men admire.

Past all the other host of stars, when with his cheerful face, Fresh washed in lofty ocean waves, he doth the sky enchase.'

This form is now more commonly restricted to psalms and hymns. The line is also now generally divided into two parts, the first containing eight, and the second six, syllables; thus—

From his bright helm | and shield | did burn |
A most unwea|ried fire, |

Like rich Autumnus' golden lamp,

Whose brightness men admire, &c.

TROCHAIC METRE.

Trochaic verse is better adapted to lighter and more lively subjects. The line appears in various lengths :

1. Of three trochees, with or without a redundant final syllable; as,

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When the praise thou meetest
To thine ear is sweetest,

Oh! then remember me.'

2. Of four trochees; as,

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'Faintly flow thou | falling river,
Like a dream that dies away,
Down to ocean gliding ever,
Keep thy calm, unruffled way.'

3. Of six trochees; as,

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On a mountain, I stretched beneath a | hoary | willow, Lay a shepherd swain, and viewed the rolling billow.'

EXERCISE.

Let the learner explain, and divide the lines in the following specimens of dissyllabic metre.

1. These are thy glorious works, Parent of good, Almighty, thine this universal frame,

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Thus wondrous fair; thyself how wondrous then!
Unspeakable, who sitt'st above these heavens
To us invisible, or dimly seen

In these thy lowest works; yet these declare
Thy goodness beyond thought, and pow'r divine.'

'By the moon we sport and play,
With the night begins our day;
As we dance, the dew does fall,
Trip it, little urchins all.'

'The wanton troopers, riding by,

Have shot my fawn, and it will die.

Ungentle men! They cannot thrive

Who killed thee. Thou ne'er did'st alive

Them any harm: alas! nor could
Thy death to them do any good.'

4. O that estates, degrees, and offices,

Were not derived corruptly! and that clear honour
Were purchased by the merit of the wearer!
How many then should cover that stand bare!
How many be commanded that command!

How much low peasantry would then be gleaned
From the true seed of honour! and how much honour
Picked from the chaff and ruin of the times,

To be new varnished!'

5. When Ajax strives some rock's vast weight to throw The line too labours, and the words move slow:

Not so when swift Camilla scours the plain;

Flies o'er the unbending corn, and skims along the main.'

ANAPESTIC METRE.

The shortest form of this metre consists of two

anapæsts; as,

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In a dairy a crow

Having ventured to go

Some food for her young ones to seek,
Flew up in the trees

With a fine piece of cheese,

Which she joyfully held in her beak.'

The second form consists of three anapæsts; as,

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'I am monarch of all | I survey,
My right there is none to dispute;
From the centre all round to the sea,

I am lord of the fowl and the brute.'

The third form of anapastic verse consists of four anapæsts; as,

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'As a beam | o'er the face of the waters may glow,
While the tide runs in darkness and coldness below;
So the cheek may be tinged with a warm sunny smile,
Though the cold heart to ruin runs darkly the while.'

DACTYLIC METRE

This form is not often used, and is generally mixed with other metres.

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