VictoryOnce regarded as comparatively minor amongst Conrad's works, Victory has grown in reputation. Its depiction of the central character, Axel Heyst, and his renunciation of the world, is influenced by Conrad's reading of Schopenhauer. |
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... surprised to hear that one morning I was told without any particular emotion by the padrone of the schooner that the "rich man" down there was dead: He had died in the night. I don't remember ever being so moved by the desolate end of.
... surprised to hear that one morning I was told without any particular emotion by the padrone of the schooner that the "rich man" down there was dead: He had died in the night. I don't remember ever being so moved by the desolate end of.
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... surprised of course I didn't stop to think it out I took the nearest short cutthrough the wall. This bestial apparition and a certain enormous buck nigger encountered in Haiti only a couple of months afterwards, have fixed my conception ...
... surprised of course I didn't stop to think it out I took the nearest short cutthrough the wall. This bestial apparition and a certain enormous buck nigger encountered in Haiti only a couple of months afterwards, have fixed my conception ...
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answer appeared arms asked believe better boat bungalow chair Chinaman clear close coming course dark Davidson don't door doubt existence expected expression eyes face fact feeling feet fellow felt gave girl give glance gone governor hand head hear heard Heyst hold island Jones keep knew leaving Lena light lips living looked manner matter mean mind Morrison moved movement murmured mysterious nature never night observed once passed Pedro perhaps raised reason remained remarked Ricardo round Schomberg seemed seen shoulders side sight silence smile sort sound speak steps stopped strange suddenly suppose surprised talk tell There's thing thought told tone took trouble turned understand veranda voice waited walked Wang watched whispered woman wonder