VictoryOnce regarded as comparatively minor amongst Conrad's works, Victory has grown in reputation. Its depiction of the central character, Axel Heyst, and his renunciation of the world, is influenced by Conrad's reading of Schopenhauer. |
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... feet, and raising himself from time to time on his elbow would talk about himself and go on talking, not exactly to me or even at me (he would not even look up but kept his eyes fixed on the deck) but more as if communing in a low voice ...
... feet, and raising himself from time to time on his elbow would talk about himself and go on talking, not exactly to me or even at me (he would not even look up but kept his eyes fixed on the deck) but more as if communing in a low voice ...
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... feet high. These were the initials of the Tropical Belt Coal Company, his employershis late employers, to be precise. According to the unnatural mysteries of the financial world, the T. B. C. Company's capital having evaporated in the ...
... feet high. These were the initials of the Tropical Belt Coal Company, his employershis late employers, to be precise. According to the unnatural mysteries of the financial world, the T. B. C. Company's capital having evaporated in the ...
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answer appeared arms asked believe better boat bungalow chair Chinaman clear close coming course dark Davidson don't door doubt existence expected expression eyes face fact feeling feet fellow felt gave girl give glance gone governor hand head hear heard Heyst hold island Jones keep knew leaving Lena light lips living looked manner matter mean mind Morrison moved movement murmured mysterious nature never night observed once passed Pedro perhaps raised reason remained remarked Ricardo round Schomberg seemed seen shoulders side sight silence smile sort sound speak steps stopped strange suddenly suppose surprised talk tell There's thing thought told tone took trouble turned understand veranda voice waited walked Wang watched whispered woman wonder