English Composition and Rhetoric, Volume 1D. Appleton, 1888 - English language |
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Page x
... called IMITATION , which readily lends itself to furthering the special qualities , but has yet an in- dependent charm , which can be evoked with little or no reference to anything else . The most extensive literary developments of ...
... called IMITATION , which readily lends itself to furthering the special qualities , but has yet an in- dependent charm , which can be evoked with little or no reference to anything else . The most extensive literary developments of ...
Page xiv
... called ) the finest products of poetic genius , I can offer no apology that will be deemed sufficient . But it ought to be remembered , that a work of genius may be sufficiently impressive and interesting , grand or beautiful , as a ...
... called ) the finest products of poetic genius , I can offer no apology that will be deemed sufficient . But it ought to be remembered , that a work of genius may be sufficiently impressive and interesting , grand or beautiful , as a ...
Page xix
... called the interest of PLOT , ... 2. Leading conditions of its effectiveness , ... ... REFINEMENT .. :: :: 1. Grossness of animal passions converted into Refined Pleasure , 2. Review of methods already adduced , 3. Additional arts ...
... called the interest of PLOT , ... 2. Leading conditions of its effectiveness , ... ... REFINEMENT .. :: :: 1. Grossness of animal passions converted into Refined Pleasure , 2. Review of methods already adduced , 3. Additional arts ...
Page xxix
... called ; its occasions in the Actual , 3. The Ludicrous or Humour , as a form of literature , works on the same lines . Means of appeasing the sympathies , while gratifying the delight of malignity , 4. Designations , Parody , Mock ...
... called ; its occasions in the Actual , 3. The Ludicrous or Humour , as a form of literature , works on the same lines . Means of appeasing the sympathies , while gratifying the delight of malignity , 4. Designations , Parody , Mock ...
Page xxxi
... employment in English Poetry , RHYME . Three conditions of a perfect rhyme , ... ... 304 Great importance of giving the rhyming position to emphatic words , ... 306 308 KINDS OF VERSE . Blank Verse , called also Heroic.
... employment in English Poetry , RHYME . Three conditions of a perfect rhyme , ... ... 304 Great importance of giving the rhyming position to emphatic words , ... 306 308 KINDS OF VERSE . Blank Verse , called also Heroic.
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Common terms and phrases
agreeable alliteration Anacreon artistic beauty Beneficent Strength Cæsura character charm circumstances combination comparison connexion contrast delight delineation diction Divine effect embodiment emotion energy erotic Eurydice example exemplified expression eyes figure force friendship genius give grandeur harmony heaven highest Homer human Humour hyperbolical ideal Iliad illustrated imitation impression intellectual intensity interest Julius Cæsar kind language lines literary lofty maleficent Malevolence malignant mankind Matthew Arnold melody ment metre Milton mind modes moral mountain nature ness Neutral Strength night objects ocean Ode to Duty pain Paradise Lost parental feeling passage passion Pathos Patroclus personification picture pleasure plot poem poet poet's poetic poetic diction poetry pure redeeming reference regard Sappho scene sense Shakespeare sorrow stanza stars sublime success suggestion superiority sweet sympathy Tamburlaine Tender Feeling Tennyson's thee Theocritus things thou thought tion touches vast vocabulary winds words Wordsworth
Popular passages
Page 81 - His house was known to all the vagrant train. He chid their wanderings, but relieved their pain ; The long-remembered beggar was his guest, Whose beard descending swept his aged breast.
Page 198 - WE watched her breathing through the night, Her breathing soft and low, As in her breast the wave of life . Kept heaving to and fro. So silently we seemed to speak, So slowly moved about, As we had lent her half our powers To eke her living out. Our very hopes belied our fears, Our fears our hopes belied, — We thought her dying when she slept, And sleeping when she died.
Page 170 - O Caledonia ! stern and wild, Meet nurse for a poetic child ! Land of brown heath and shaggy wood, Land of the mountain and the flood...
Page 81 - And, as a bird each fond endearment tries To tempt its new-fledged offspring to the skies, He tried each art, reproved each dull delay, Allured to brighter worlds, and led the way. Beside the bed where parting life was laid, And sorrow, guilt, and pain by turns dismayed, The reverend champion stood. At his control Despair and anguish fled the struggling soul; Comfort came down the trembling wretch to raise, And his last faltering accents whispered praise.
Page 19 - But peaceful was the night Wherein the Prince of Light His reign of peace upon the earth began...
Page 190 - Now came still evening on, and twilight gray Had in her sober livery all things clad; Silence accompanied; for beast and bird, They to their grassy couch, these to their nests Were slunk, all but .the wakeful nightingale; She all night long her amorous descant sung...
Page 127 - Thou mayst prove false; at lovers' perjuries, They say, Jove laughs. O, gentle Romeo, If thou dost love, pronounce it faithfully : Or, if thou think'st I am too quickly won, I'll frown, and be perverse, and say thee nay, So thou wilt woo ; but else, not for the world. In truth, fair Montague, I am too fond ; And therefore thou mayst think my 'havior light ; But trust me, gentleman, I'll prove more true Than those that have more cunning to be strange.
Page 10 - HOW doth the city sit solitary, that was full of people ! How is she become as a widow ! she that was great among the nations, And princess among the provinces, how is she become tributary!
Page 89 - Blow, winds, and crack your cheeks ! rage ! blow ! You cataracts and hurricanoes, spout Till you have drench'd our steeples, drown'd the cocks! You sulphurous and thought-executing fires, Vaunt-couriers to oak-cleaving thunderbolts, Singe my white head ! And thou, all-shaking thunder, Strike flat the thick rotundity o' the world ! Crack nature's moulds, all germens spill at once That make ingrateful man ! Fool.
Page 161 - I heard the bell toll'd' on thy burial day, I saw the hearse that bore thee slow away, And, turning from my nursery window, drew A long, long sigh, and wept a last adieu ! But was it such ? — It was.