The Polish Review, Volume 56, Issue 4Polish Institute of Arts and Sciences in America., 1956 - Poland |
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Page 335
... poem remains unclear . Since the poem was written in 1920 , when Jasieński was alive and still in Poland , Czyżewski's desire to summon his friend's spirit is awkward , but to read it as the poetic premonition of Jasieński's tragic ...
... poem remains unclear . Since the poem was written in 1920 , when Jasieński was alive and still in Poland , Czyżewski's desire to summon his friend's spirit is awkward , but to read it as the poetic premonition of Jasieński's tragic ...
Page 343
... poem as everything but wind , moonlight and waters . Undermined by the poet's disbelief and her scrutinizing gaze , the dancer is rendered stagnant and entirely subjected to gravity , opposed not only to Sandburg's portrayal , but also ...
... poem as everything but wind , moonlight and waters . Undermined by the poet's disbelief and her scrutinizing gaze , the dancer is rendered stagnant and entirely subjected to gravity , opposed not only to Sandburg's portrayal , but also ...
Page 352
... poetic overstatement . In the moment captured by the camera by means of illusory permanence , the poet pushes death outside the frame of poetic representation and yet makes it omnipresent . Therefore , this poem does not mark a single ...
... poetic overstatement . In the moment captured by the camera by means of illusory permanence , the poet pushes death outside the frame of poetic representation and yet makes it omnipresent . Therefore , this poem does not mark a single ...
Contents
THE POLISH REVIEW | 283 |
Beata Dorosz Czesław Miłosz in the Context of the Polish Institute | 297 |
Wisława Szymborska | 333 |
Copyright | |
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