The Polish Review, Volume 56, Issue 4Polish Institute of Arts and Sciences in America., 1956 - Poland |
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Page 289
... nature is , in itself , “ neither beautiful nor ugly , [ but ] nature no doubt is only a screen where people's inner hells and heavens are projected . The insight is self - evidently accurate , but it deals a severe blow to all manner ...
... nature is , in itself , “ neither beautiful nor ugly , [ but ] nature no doubt is only a screen where people's inner hells and heavens are projected . The insight is self - evidently accurate , but it deals a severe blow to all manner ...
Page 345
... nature of representation , are addressed in a rigorous manner by the phenomenological theory of literature and the visual arts , in particular , by Roman Ingarden's concept of ' schematic ' representation in his O dziele literackim [ On ...
... nature of representation , are addressed in a rigorous manner by the phenomenological theory of literature and the visual arts , in particular , by Roman Ingarden's concept of ' schematic ' representation in his O dziele literackim [ On ...
Page 361
... nature . The partitioning of Poland in the 18th century produced three diverse groups of Poles . Those who came from Germany - the first group to arrive in America ( of about 600,000 ) were the most educated , skilled , and inventive ...
... nature . The partitioning of Poland in the 18th century produced three diverse groups of Poles . Those who came from Germany - the first group to arrive in America ( of about 600,000 ) were the most educated , skilled , and inventive ...
Contents
THE POLISH REVIEW | 283 |
Beata Dorosz Czesław Miłosz in the Context of the Polish Institute | 297 |
Wisława Szymborska | 333 |
Copyright | |
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