The Polish Review, Volume 56, Issue 4Polish Institute of Arts and Sciences in America., 1956 - Poland |
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Page 337
... frame . " At first glance , Szymborska's " deframing " gesture omits the boundaries delineated by a spatial frame to reveal her skepticism . toward photography , highlighted by her fascination with the multitudinous concreteness of ...
... frame . " At first glance , Szymborska's " deframing " gesture omits the boundaries delineated by a spatial frame to reveal her skepticism . toward photography , highlighted by her fascination with the multitudinous concreteness of ...
Page 340
... frame and , in due process , incorporated or projected into external and unframed reality which becomes transformed and , in a sense , reframed . This process produces a result akin to Jacques Derrida's notion of a parergon , according ...
... frame and , in due process , incorporated or projected into external and unframed reality which becomes transformed and , in a sense , reframed . This process produces a result akin to Jacques Derrida's notion of a parergon , according ...
Page 345
... frame and in the handbag - brings to the surface only the fruits of her poetic invention : several small , personal objects , more the Barthesian details than anything else . In her disregard of what is given in the photo , she renders ...
... frame and in the handbag - brings to the surface only the fruits of her poetic invention : several small , personal objects , more the Barthesian details than anything else . In her disregard of what is given in the photo , she renders ...
Contents
THE POLISH REVIEW | 283 |
Beata Dorosz Czesław Miłosz in the Context of the Polish Institute | 297 |
Wisława Szymborska | 333 |
Copyright | |
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