The Polish Review, Volume 56, Issue 4Polish Institute of Arts and Sciences in America., 1956 - Poland |
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Page 336
... critical gaze . In her case , one observes a striking lack of interest in the technological aspects of picture taking and picture developing , her critique of photography occurs within a larger project her appraisal of all ...
... critical gaze . In her case , one observes a striking lack of interest in the technological aspects of picture taking and picture developing , her critique of photography occurs within a larger project her appraisal of all ...
Page 339
... critical distance that permeates the poem . As the poet makes a series of dry , skeptical statements about the " citizens of sepia past , " their multifarious lives and deaths - posed , photographed , collected , displayed in the album ...
... critical distance that permeates the poem . As the poet makes a series of dry , skeptical statements about the " citizens of sepia past , " their multifarious lives and deaths - posed , photographed , collected , displayed in the album ...
Page 416
... critically acclaimed publications to . their credit 4. Artists , that is persons skillful in the fine arts , e.g. , graphic arts , music , dramatic arts , and other performing arts , who have won critical acclaim . 5. Persons from the ...
... critically acclaimed publications to . their credit 4. Artists , that is persons skillful in the fine arts , e.g. , graphic arts , music , dramatic arts , and other performing arts , who have won critical acclaim . 5. Persons from the ...
Contents
THE POLISH REVIEW | 283 |
Beata Dorosz Czesław Miłosz in the Context of the Polish Institute | 297 |
Wisława Szymborska | 333 |
Copyright | |
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