The Polish Review, Volume 56, Issue 4Polish Institute of Arts and Sciences in America., 1956 - Poland |
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Page 337
... Szymborska's centrifugal shift to the tangential or simply erased aspects of the represented realities , any kind of ideology would be an imposition ; in fact , her critics agree that her poetry represents a case of zero ideology ...
... Szymborska's centrifugal shift to the tangential or simply erased aspects of the represented realities , any kind of ideology would be an imposition ; in fact , her critics agree that her poetry represents a case of zero ideology ...
Page 342
... Szymborska's gaze ( and pen ) everything that truly was , was moved away from representation back to the unrepresented sphere of life to await there a poetic suture . The repeated gesture shifting the superficial images given in family ...
... Szymborska's gaze ( and pen ) everything that truly was , was moved away from representation back to the unrepresented sphere of life to await there a poetic suture . The repeated gesture shifting the superficial images given in family ...
Page 349
... Szymborska's ironic treatment , the dominant role of portraiture photography as a historical or propagandistic record is refuted , because there is always more than the viewer's eye , when submissive to the framing of the wholeness of ...
... Szymborska's ironic treatment , the dominant role of portraiture photography as a historical or propagandistic record is refuted , because there is always more than the viewer's eye , when submissive to the framing of the wholeness of ...
Contents
THE POLISH REVIEW | 283 |
Beata Dorosz Czesław Miłosz in the Context of the Polish Institute | 297 |
Wisława Szymborska | 333 |
Copyright | |
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